[Page 182]THE LAST SONG OF CAMOENS. 107
THE LAST SONG OF CAMOENS. 107107 Inscribed to Lord Strangford.
1 The morning shone on Tagus' rocky side,
2 And airs of summer swelled the yellow tide,
3 When, rising from his melancholy bed,
4 And faint, and feebly by Antonio108
108 The faithful Indian who attended him in all his sorrows, a native of Java.
led,5 Poor Camoens, subdued by want and woe,
6 Along the winding margin wandered slow,
7 His harp, that once could each warm feeling move
8 Of patriot glory or of tenderest love,
9 His sole and sable friend109
109 Antonio, "who begged alms through Lisbon, and at night shared the produce with his broken-hearted master. " — Strangford's Preface.
(while a faint tone10 Rose from the wires) placed by a mossy stone.
11 How beautiful the sun ascending shines
12 From ridge to ridge, along the purple vines!
13 How pure the azure of the opening skies!
14 How resonant the nearer rock replies
15 To call of early mariners! and, hark!
16 The distant whistle from yon parting bark,
17 That down the channel as serene she strays,
18 Her gray sail mingles with the morning haze,
19 Bound to explore, o'er ocean's stormy reign,
20 New lands that lurk amid the lonely main!
21 A transient fervour touched the old man's breast;
22 He raised his eyes, so long by care depressed,[Page 183]
23 And while they shone with momentary fire,
24 Ardent he struck the long-forgotten lyre.
25 From Tagus' yellow-sanded shore,
26 O'er the billows, as they roar,
27 O'er the blue sea, waste and wide,
28 Our bark threw back the burning tide,
29 By northern breezes cheer'ly borne,
30 On to the kingdoms of the morn.
31 Blanco, whose cold shadow vast
32 Chills the western wave, is past!
33 Huge Bojador, frowning high,
34 Thy dismal terrors we defy!
35 But who may violate the sleep
36 And silence of the sultry deep;
37 Where, beneath the intenser sun,110
110 Crossing the Line.
38 Hot showers descend, red lightnings run;
39 Whilst all the pale expanse beneath
40 Lies burning wide, without a breath;
41 And at mid-day from the mast,
42 No shadow on the deck is cast!
43 Night by night, still seen the same,
44 Strange lights along the cordage flame,
45 Perhaps, the spirits of the good,111
111 Lights called by the Portuguese Corpo Sancto's, supposed to be the spirits of saints, hovering on the shrouds.
46 That wander this forsaken flood
47 Sing to the seas, as slow we float,
48 A solemn and a holy note!
49 Spectre112
112 The terrific Phantom of the Cape, described by Camoens.
of the southern main,50 Thou barr'st our onward way in vain,
51 Wrapping the terrors of thy form,
52 In the thunder's rolling storm! [Page 184]
53 Fearless o'er the indignant tide,
54 On to the east our galleys ride.
55 Triumph! for the toil is o'er —
56 We kiss the far-sought Indian shore!
57 Glittering to the orient ray,
58 The banners of the Cross display!
59 Does my heart exulting bound?
60 Alas, forlorn, I gaze around:
61 Feeble, poor, and old, I stand,
62 A stranger in my native land!
63 My sable slave (ah, no! my only friend,
64 Whose steps upon my rugged path attend)
65 Sees, but with tenderness that fears to speak,
66 The tear that trickles down my aged cheek!
67 My harp is silent, — famine shrinks mine eye, —
68 "Give me a little food for charity!" 113
113 Camoens, the great poet of Portugal, is supposed to have gone to the East Indies in the same ship with the first Discoverer, round the Cape of Good Hope, Vasco de Gama. This is not the case, though he wrote the noble poem descriptive of the voyage. He went to India some years afterwards, but the general idea is sufficient for poetical purposes. His subsequent sorrows and poverty, in his native land, are well known.
Source edition
Bowles, William Lisle, 1762-1850. The Poetical Works of William Lisle Bowles, Vol. I. With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan. Edinburgh: James Nichol, 9 North Bank Street..., 1855, pp. 182-184. (Page images digitized from a copy held at the University of California Libraries.)
Editorial principles
Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by William Lisle Bowles
- ABBA THULE'S LAMENT FOR HIS SON PRINCE LE BOO. ()
- ABSENCE. ()
- ABSENCE. OCTOBER 26, 1791. ()
- AGE. ()
- APPROACH OF SUMMER. ()
- ART AND NATURE. THE BRIDGE BETWEEN CLIFTON AND LEIGH WOODS. ()
- ASSOCIATIONS. ()
- AT DOVER, 1786. ()
- AT MALVERN. ()
- AT OXFORD, 1786. ()
- AT TYNEMOUTH PRIORY, AFTER A TEMPESTUOUS VOYAGE. ()
- AVENUE IN SAVERNAKE FOREST. ()
- BAMBOROUGH CASTLE. ()
- BATTLE OF CORRUNA. ()
- THE BATTLE OF THE NILE. ()
- THE BELLS, OSTEND. ()
- BEREAVEMENT. ()
- CADLAND, SOUTHAMPTON RIVER. ()
- A CENOTAPH, TO THE MEMORY OF LIEUTENANT-COLONEL ISAAC, WHO DIED AT CAPE ST NICHOLA MOLE, 1797. ()
- THE CONVENT. ()
- COOMBE-ELLEN. ()
- DEATH OF CAPTAIN COOKE, OF “THE BELLEROPHON,” KILLED IN THE SAME BATTLE. ()
- DIRGE OF NELSON. ()
- DISTANT VIEW OF ENGLAND FROM THE SEA. ()
- DOVER CLIFFS. ()
- THE DYING SLAVE. ()
- ELEGIAC STANZAS. WRITTEN DURING SICKNESS AT BATH. ()
- ELEGY WRITTEN AT THE HOTWELLS, BRISTOL, JULY, 1789. ()
- EPITAPH ON H. WALMSLEY, ESQ., IN ALVERSTOKE CHURCH, HANTS. ()
- EVENING. ()
- EXHIBITION, 1807. ()
- FAIRY SKETCH. SCENE — NETLEY ABBEY. ()
- A GARDEN-SEAT AT HOME. ()
- THE GRAVE OF HOWARD. ()
- GREENWICH HOSPITAL. ()
- THE HARP OF HOEL. ()
- THE HARP, AND DESPAIR, OF COWPER. ()
- HOPE, AN ALLEGORICAL SKETCH. ()
- HOPE. ()
- HOUR-GLASS AND BIBLE. ()
- HYMN TO WODEN. ()
- IN HORTO REV. J. STILL, APUD KNOYLE, VILLAM AMŒNISSIMAM. ()
- IN MEMORIAM. ()
- INFLUENCE OF TIME ON GRIEF. ()
- INSCRIPTION. ()
- LACOCK NUNNERY. JUNE 24, 1837. ()
- MILTON. ON THE BUSTS OF MILTON, IN YOUTH AND AGE, AT STOURHEAD. ()
- THE MISSIONARY. ()
- MONODY ON HENRY HEADLEY. ()
- MONODY ON THE DEATH OF DR WARTON. ()
- MONODY, WRITTEN AT MATLOCK. ()
- MUSIC. ()
- MUSIC. ()
- NETLEY ABBEY. ()
- ON A BEAUTIFUL LANDSCAPE. ()
- ON A BEAUTIFUL SPRING, FORMING A COLD BATH, AT COOMBE, NEAR DONHEAD, BELONGING TO MY BROTHER, CHAS. BOWLES, ESQ. ()
- ON A LANDSCAPE BY RUBENS. ()
- ON ACCIDENTALLY MEETING A LADY NOW NO MORE. WRITTEN MANY YEARS AFTER THE FOREGOING SONNETS. ()
- ON AN UNFORTUNATE AND BEAUTIFUL WOMAN. WRITTEN DECEMBER 1783. ()
- ON ENTERING SWITZERLAND. ()
- ON HEARING “THE MESSIAH” PERFORMED IN GLOUCESTER CATHEDRAL, SEPT. 18, 1835. ()
- ON LANDING AT OSTEND. ()
- ON LEAVING A PLACE OF RESIDENCE. ()
- ON LEAVING A VILLAGE IN SCOTLAND. ()
- ON LEAVING WINCHESTER SCHOOL. WRITTEN IN THE YEAR 1782. ()
- ON MR HOWARD'S ACCOUNT OF LAZARETTOS. ()
- ON RESIGNING A SCHOLARSHIP OF TRINITY COLLEGE, OXFORD, AND RETIRING TO A COUNTRY CURACY. ()
- ON THE DEATH OF THE REV. WILLIAM BENWELL, M.A. ()
- ON WILLIAM SOMMERS OF BREMHILL. ()
- OXFORD REVISITED. ()
- THE PHILANTHROPIC SOCIETY. INSCRIBED TO THE DUKE OF LEEDS. ()
- PICTURE OF A YOUNG LADY. ()
- PICTURE OF AN OLD MAN. ()
- PICTURES FROM THEOCRITUS. ()
- POLE-VELLUM, CORNWALL. A PICTURESQUE COTTAGE AND GROUNDS BELONGING TO J. LEMON, ESQ. ()
- RETROSPECTION. ()
- THE RHINE. ()
- THE RIGHT HONOURABLE EDMUND BURKE. ()
- THE RIVER CHERWELL. ()
- THE RIVER WAINSBECK. ()
- A RUSTIC SEAT NEAR THE SEA. ()
- SHAKSPEARE. ()
- SKETCH FROM BOWDEN HILL AFTER SICKNESS. ()
- SKETCHES IN THE EXHIBITION, 1805. ()
- SONG OF THE AMERICAN INDIAN. ()
- SOUTHAMPTON CASTLE. INSCRIBED TO THE MARQUIS OF LANSDOWNE. ()
- SOUTHAMPTON WATER. ()
- THE SPIRIT OF DISCOVERY BY SEA: A DESCRIPTIVE AND HISTORICAL POEM. ()
- THE SPIRIT OF NAVIGATION. ()
- ST MICHAEL'S MOUNT. INSCRIBED TO THE RIGHT HONOURABLE LORD SOMERS. ()
- STANZAS FOR MUSIC. ()
- SUMMER EVENING AT HOME. ()
- SUN-DIAL, IN THE CHURCHYARD OF BREMHILL. ()
- THE SYLPH OF SUMMER. ()
- TO A FRIEND. ()
- TO SIR WALTER SCOTT. ON ACCIDENTLY MEETING AND PARTING WITH SIR WALTER SCOTT, WHOM I HAD NOT SEEN FOR MANY YEARS, IN THE STREETS OF LONDON, MAY 1828. ()
- TO THE RIVER ITCHIN. ()
- [TRANSLATION] OF A LATIN POEM BY THE REV. NEWTON OGLE, DEAN OF MANCHESTER. ()
- THE TWEED VISITED. ()
- THE VISIONARY BOY. ()
- WARDOUR CASTLE. ()
- WATER-PARTY ON BEAULIEU RIVER, IN THE NEW FOREST. ()
- THE WINDS. ()
- WINTER EVENING AT HOME. ()
- WOODSPRING ABBEY, 1836. ()