[Page 115]COOMBE-ELLEN. 66
COOMBE-ELLEN. 6666 Coombe-Ellen (in Welsh, Cwm Elan) is situated among the most romantic mountains of Radnorshire, about five miles from Rhayd'r. This poem is inscribed to Thomas Grove, Esq. of Fern, Wiltshire, at whose summer residence, in Radnorshire, it was written.
1 Call the strange spirit that abides unseen
2 In wilds, and wastes, and shaggy solitudes,
3 And bid his dim hand lead thee through these scenes
4 That burst immense around! By mountains, glens,
5 And solitary cataracts that dash
6 Through dark ravines; and trees, whose wreathed roots
7 O'erhang the torrent's channelled course; and streams,
8 That far below, along the narrow vale,
9 Upon their rocky way wind musical.
10 Stranger! if Nature charm thee, if thou lovest
11 To trace her awful steps, in glade or glen,
12 Or under covert of the rocking wood,
13 That sways its murmuring and mossy boughs
14 Above thy head; now, when the wind at times
15 Stirs its deep silence round thee, and the shower
16 Falls on the sighing foliage, hail her here
17 In these her haunts; and, rapt in musings high,
18 Think that thou holdest converse with some Power
19 Invisible and strange; such as of yore
20 Greece, in the shades of piney Mænalaus,
21 The abode of Pan, or Ida's hoary caves,
22 Worshipped; and our old Druids, 'mid the gloom
23 Of rocks and woods like these, with muttered spell
24 Invoked, and the loud ring of choral harps.
25 Hast thou oft mourned the chidings of the world,
26 The sound of her disquiet, that ascends
27 For ever, mocking the high throne of God!
28 Hast thou in youth known sorrow! Hast thou drooped,[Page 116]
29 Heart-stricken, over youth's and beauty's grave,
30 And ever after thought on the sad sound
31 The cold earth made, which, cast into the vault,
32 Consigned thy heart's best treasure — dust to dust!
33 Here, lapped into a sweet forgetfulness,
34 Hang o'er the wreathed waterfall, and think
35 Thou art alone in this dark world and wide!
36 Here Melancholy, on the pale crags laid,
37 Might muse herself to sleep; or Fancy come,
38 Witching the mind with tender cozenage,
39 And shaping things that are not; here all day
40 Might Meditation listen to the lapse
41 Of the white waters, flashing through the cleft,
42 And, gazing on the many shadowing trees,
43 Mingle a pensive moral as she gazed.
44 High o'er thy head, amidst the shivered slate,
45 Behold, a sapling yet, the wild ash bend,
46 Its dark red berries clustering, as it wished
47 In the clear liquid mirror, ere it fell,
48 To trace its beauties; o'er the prone cascade,
49 Airy, and light, and elegant, the birch
50 Displays its glossy stem, amidst the gloom
51 Of alders and jagged fern, and evermore
52 Waves her light pensile foliage, as she wooed
53 The passing gale to whisper flatteries.
54 Upon the adverse bank, withered, and stripped
55 Of all its pleasant leaves, a scathed oak
56 Hangs desolate, once sovereign of the scene,
57 Perhaps, proud of its beauty and its strength,
58 And branching its broad arms along the glen:
59 Oh, speaks it no remonstrance to the heart!
60 It seems to say: So shall the spoiler come,
61 The season that shall shatter your fair leaves,
62 Gay children of the summer! yet enjoy[Page 117]
63 Your pleasant prime, and lift your green heads high,
64 Exulting; but the storm will come at last,
65 That shall lay low your strength, and give your pride
66 To the swift-hurrying stream of age, like mine.
67 And so severe Experience oft reproves
68 The gay and careless children of the world;
69 They hear the cold rebuke, and then again
70 Turn to their sport, as likes them, and dance on!
71 And let them dance; so all their blooming prime
72 They give not up to vanity, but learn
73 That wisdom and that virtue which shall best
74 Avail them, when the evil days draw nigh,
75 And the brief blossoms of their spring-time fade.
76 Now wind we up the glen, and hear below
77 The dashing torrent, in deep woods concealed,
78 And now again white-flashing on the view,
79 O'er the huge craggy fragments. Ancient stream,
80 That murmurest through the mountain solitudes,
81 The time has been when no eye marked thy course,
82 Save His who made the world! Fancy might dream
83 She saw thee thus bound on from age to age
84 Unseen of man, whilst awful Nature sat
85 On the rent rocks, and said: These haunts be mine.
86 Now Taste has marked thy features; here and there
87 Touching with tender hand, but injuring not,
88 Thy beauties; whilst along thy woody verge
89 Ascends the winding pathway, and the eye
90 Catches at intervals thy varied falls.
91 But loftier scenes invite us; pass the hill,
92 And through the woody hanging, at whose feet
93 The tinkling Ellen winds, pursue thy way.
94 Yon bleak and weather-whitened rock, immense,
95 Upshoots amidst the scene, craggy and steep,
96 And like some high-embattled citadel,[Page 118]
97 That awes the low plain shadowing. Half-way up
98 The purple heath is seen, but bare its brow,
99 And deep-intrenched, and all beneath it spread
100 With massy fragments riven from its top.
101 Amidst the crags, and scarce discerned so high,
102 Hangs here and there a sheep, by its faint bleat
103 Discovered, whilst the astonished eye looks up,
104 And marks it on the precipice's brink
105 Pick its scant food secure: — and fares it not
106 Ev'n so with you, poor orphans, ye who climb
107 The rugged path of life without a friend;
108 And over broken crags bear hardly on,
109 With pale imploring looks, that seem to say,
110 My mother! she is buried, and at rest,
111 Laid in her grave-clothes; and the heart is still,
112 The only heart that throughout all the world
113 Beat anxiously for you! Oh, yet bear on;
114 He who sustains the bleating lamb shall feed
115 And comfort you: meantime the heaven's pure beam,
116 That breaks above the sable mountain's brow,
117 Lighting, one after one, the sunless crags,
118 Awakes the blissful confidence, that here,
119 Or in a world where sorrow never comes,
120 All shall be well.
120 Now through the whispering wood
121 We steal, and mark the old and mossy oaks
122 Imboss the mountain slope; or the wild ash,
123 With rich red clusters mantling; or the birch,
124 In lonely glens light-wavering; till behold!
125 The rapid river shooting through the gloom
126 Its lucid line along; and on its side
127 The bordering pastures green, where the swinked ox
128 Lies dreaming, heedless of the numerous flies
129 That, in the transitory sunshine, hum[Page 119]
130 Round his broad breast; and further up the cot,
131 With blue, light smoke ascending; images
132 Of peace and comfort! The wild rocks around
133 Endear your smile the more, and the full mind,
134 Sliding from scenes of dread magnificence,
135 Sinks on your charms reposing; such repose
136 The sage may feel, when, filled and half-oppressed
137 With vast conceptions, smiling he returns
138 To life's consoling sympathies, and hears,
139 With heartfelt tenderness, the bells ring out;
140 Or pipe upon the mountains; or the low
141 Of herds slow winding down the cottaged vale,
142 Where day's last sunshine linger. Such repose
143 He feels, who, following where his Shakspeare leads,
144 As in a dream, through an enchanted land,
145 Here, with Macbeth, in the dread cavern hails
146 The weird sisters, and the dismal deed
147 Without a name; there sees the charmed isle,
148 The lone domain of Prospero; and, hark!
149 Wild music, such as earth scarce seems to own,
150 And Ariel o'er the slow-subsiding surge
151 Singing her smooth air quaintly! Such repose
152 Steals o'er her spirits, when, through storms at sea,
153 Fancy has followed some nigh-foundered bark
154 Full many a league, in ocean's solitude
155 Tossed far beyond the Cape of utmost Horn,
156 That stems the roaring deep; her dreary track
157 Still Fancy follows, and at dead of night
158 Hears, with strange thunder, the huge fragments fall
159 Crashing, from mountains of high-drifting ice
160 That o'er her bows gleam fearful; till at last
161 She hails the gallant ship in some still bay
162 Safe moored; or of delightful Tinian;
163 Smiling, like fairy isle, amid the waste;[Page 120]
164 Or of New Zealand, where from sheltering rocks
165 The clear cascades gush beautiful, and high
166 The woodland scenery towers above the mast,
167 Whose long and wavy ensign streams beneath.
168 Far inland, clad in snow, the mountains lift
169 Their spiry summits, and endear the more
170 The sylvan scene around; the healing air
171 Breathes o'er green myrtles, and the poe-bird flits,
172 Amid the shade of aromatic shrubs,
173 With silver neck and blue enamelled wing.
174 Now cross the stream, and up the narrow track,
175 That winds along the mountain's edge, behold
176 The peasant girl ascend: cheerful her look,
177 Beneath the umbrage of her broad black hat,
178 And loose her dark-brown hair; the plodding pad
179 That bears her panting climbs, and with sure step
180 Avoids the jutting fragments; she, meantime,
181 Sits unconcerned, till, lessening from the view,
182 She gains the summit and is seen no more.
183 All day, along that mountain's heathy waste,
184 Booted and strapped, and in rough coat succinct,
185 His small shrill whistle pendent at his breast,
186 With dogs and gun, untired the sportsman roams;
187 Nor quits his wildly-devious range, till eve,
188 Upon the woods, the rocks, and mazy rills
189 Descending, warns him home: then he rejoins
190 The social circle, just as the clear moon,
191 Emerging o'er the sable mountain, sails
192 Silent, and calm, and beautiful, and sheds
193 Its solemn grandeur on the shadowy scene.
194 To music then; and let some chosen strain
195 Of Handel gently recreate the sense,
196 And give the silent heart to tender joy. [Page 121]
197 Pass on to the hoar cataract,67
67 Nant-Vola.
that foams198 Through the dark fissures of the riven rock;
199 Prone-rushing it descends, and with white whirl,
200 Save where some silent shady pool receives
201 Its dash; thence bursting, with collected sweep,
202 And hollow sound, it hurries, till it falls
203 Foaming in the wild stream that winds below.
204 Dark trees, that to the mountain's height ascend,
205 O'ershade with pendent boughs its mossy course,
206 And, looking up, the eye beholds it flash
207 Beneath the incumbent gloom, from ledge to ledge
208 Shooting its silvery foam, and far within
209 Wreathing its curve fantastic. If the harp
210 Of deep poetic inspiration, struck
211 At times by the pale minstrel, whilst a strange
212 And beauteous light filled his uplifted eye,
213 Hath ever sounded into mortal ears,
214 Here I might think I heard its tones, and saw,
215 Sublime amidst the solitary scene,
216 With dimly-gleaming harp, and snowy stole,
217 And cheek in momentary frenzy flushed,
218 The great musician stand. Hush, every wind
219 That shakes the murmuring branches! and thou stream,
220 Descending still with hollow-sounding sweep,
221 Hush! 'Twas the bard struck the loud strings: Arise,
222 Son of the magic song, arise!
223 And bid the deep-toned lyre
224 Pour forth its manly melodies.
225 With eyes on fire,
226 Caradoc rushed upon the foe;
227 He reared his arm — he laid the mighty low!
228 O'er the plain see him urge his gore-bathed steed! [Page 122]
229 They bleed, the Romans68
68 The Silures, comprehending Radnorshire, Herefordshire, Brecknockshire, Monmouthshire, and Glamorganshire, were the bravest of the Britons; Caractacus, the greatest and most renowned leader Britain had ever produced, was their king.
bleed!230 He lifts his lance on high,
231 They fly! the fierce invaders fly!
232 Fear not now the horse or spear,
233 Fear not now the foeman's might;
234 Victory the cry shall hear
235 Of those who for their country fight;
236 O'er the slain
237 That strew the plain,
238 Stern on her sable war-horse shall she ride,
239 And lift her red right hand, in their heart's blood deep dyed!
240 Return, my Muse! the fearful sound is past;
241 And now a little onward, where the way
242 Ascends above the oaks that far below
243 Shade the rude steep, let Contemplation lead
244 Our footsteps; from this shady eminence
245 'Tis pleasant and yet fearful to look down
246 Upon the river roaring, and far off
247 To see it stretch in peace, and mark the rocks
248 One after one, in solemn majesty
249 Unfolding their wild reaches; here with wood
250 Mantled, beyond abrupt and bare, and each
251 As if it strove, with emulous disdain,
252 To tower in ruder, darker amplitude.
253 Pause, ere we enter the long craggy vale;
254 It seems the abode of Solitude. So high
255 The rock's bleak summit69
69 Dole-Vinoc rock.
frowns above our head,256 Looking immediate down, we almost fear
257 Lest some enormous fragment should descend
258 With hideous sweep into the vale, and crush
259 The intruding visitant. No sound is here,[Page 123]
260 Save of the stream that shrills, and now and then
261 A cry as of faint wailing, when the kite
262 Comes sailing o'er the crags, or straggling lamb
263 Bleats for its mother. Here, remote from man,
264 And life's discordant roar, might Piety
265 Lift up her early orisons to Him
266 Who made the world; who piled up, mighty rocks,
267 Your huge o'ershadowing summits; who devolved
268 The mighty rivers on their mazy course;
269 Who bade the seasons roll, and they rolled on
270 In harmony; who filled the earth with joy,
271 And spread it in magnificence. O God!
272 Thou also madest the great water-flood,
273 The deep that uttereth thy voice; whose waves
274 Toss fearful at thy bidding. Thou didst speak,
275 And lo! the great and glorious sun, from night
276 Tenfold upspringing, through the heavens' wide way
277 Held his untired career. These, in their course,
278 As with one shout of acclamation, praise
279 Thee, Lord! thee, Father! thee, Almighty King!
280 Maker of earth and heaven! Nor less the flower
281 That shakes its purple head, and smiles unseen
282 Upon the mountain's van; nor less the stream
283 That tinkles through the cliff-encircled bourne,
284 Cheering with music the lone place, proclaim:
285 In wisdom, Father, hast thou made them all!
286 Scenes of retired sublimity, that fill
287 With fearful ecstasy and holy trance
288 The pausing mind! we leave your awful gloom,
289 And lo! the footway plank, that leads across
290 The narrow torrent, foaming through the chasm
291 Below; the rugged stones are washed and worn
292 Into a thousand shapes, and hollows scooped
293 By long attrition of the ceaseless surge,[Page 124]
294 Smooth, deep, and polished as the marble urn,
295 In their hard forms. Here let us sit, and watch
296 The struggling current burst its headlong way,
297 Hearing the noise it makes, and musing much
298 On the strange changes of this nether world.
299 How many ages must have swept to dust
300 The still succeeding multitudes, that "fret
301 Their little hour" upon this restless scene,
302 Or ere the sweeping waters could have cut
303 The solid rock so deep! As now its roar
304 Comes hollow from below, methinks we hear
305 The noise of generations, as they pass,
306 O'er the frail arch of earthly vanity,
307 To silence and oblivion. The loud coil
308 Ne'er ceases; as the running river sounds
309 From age to age, though each particular wave
310 That made its brief noise, as it hurried on,
311 Ev'n whilst we speak, is past, and heard no more;
312 So ever to the ear of Heaven ascends
313 The long, loud murmur of the rolling globe;
314 Its strife, its toils, its sighs, its shouts, the same!
315 But lo! upon the hilly croft, and scarce
316 Distinguished from the crags, the peasant hut
317 Forth peeping; nor unwelcome is the sight.
318 It seems to say: Though solitude be sweet,
319 And sweet are all the images that float
320 Like summer-clouds before the eye, and charm
321 The pensive wanderer's way, 'tis sweeter yet
322 To think that in this world a brother lives.
323 And lovelier smiles the scene, that, 'mid the wilds
324 Of rocks and mountains, the bemused thought
325 Remembers of humanity, and calls
326 The wildly-roving fancy back to life.
327 Here, then, I leave my harp, which I have touched[Page 125]
328 With careless hand, and here I bid farewell
329 To Fancy's fading pictures, and farewell
330 The ideal spirit that abides unseen
331 'Mid rocks, and woods, and solitudes. I hail
332 Rather the steps of Culture, that ascend
333 The precipice's side. She bids the wild
334 Bloom, and adorns with beauty not its own
335 The ridged mountain's tract; she speaks, and lo!
336 The yellow harvest nods upon the slope;
337 And through the dark and matted moss upshoots
338 The bursting clover, smiling to the sun.
339 These are thy offspring, Culture! the green herb
340 Is thine, that decks with rich luxuriance
341 The pasture's lawny range; the yellow corn,
342 That waves upon the upland ridge, is thine;
343 Thine too the elegant abode, that smiles
344 Amidst the rocky scene, and wakes the thought,
345 The tender thought, of all life's charities.
346 And senseless were my heart, could I look back
347 Upon the varied way my feet have trod,
348 Without a silent prayer that health and joy,
349 And love and happiness, may long abide
350 In the romantic vale where Ellen winds.
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Bowles, William Lisle, 1762-1850. The Poetical Works of William Lisle Bowles, Vol. I. With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan. Edinburgh: James Nichol, 9 North Bank Street..., 1855, pp. 115-125. (Page images digitized from a copy held at the University of California Libraries.)
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Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by William Lisle Bowles
- ABBA THULE'S LAMENT FOR HIS SON PRINCE LE BOO. ()
- ABSENCE. ()
- ABSENCE. OCTOBER 26, 1791. ()
- AGE. ()
- APPROACH OF SUMMER. ()
- ART AND NATURE. THE BRIDGE BETWEEN CLIFTON AND LEIGH WOODS. ()
- ASSOCIATIONS. ()
- AT DOVER, 1786. ()
- AT MALVERN. ()
- AT OXFORD, 1786. ()
- AT TYNEMOUTH PRIORY, AFTER A TEMPESTUOUS VOYAGE. ()
- AVENUE IN SAVERNAKE FOREST. ()
- BAMBOROUGH CASTLE. ()
- BATTLE OF CORRUNA. ()
- THE BATTLE OF THE NILE. ()
- THE BELLS, OSTEND. ()
- BEREAVEMENT. ()
- CADLAND, SOUTHAMPTON RIVER. ()
- A CENOTAPH, TO THE MEMORY OF LIEUTENANT-COLONEL ISAAC, WHO DIED AT CAPE ST NICHOLA MOLE, 1797. ()
- THE CONVENT. ()
- DEATH OF CAPTAIN COOKE, OF “THE BELLEROPHON,” KILLED IN THE SAME BATTLE. ()
- DIRGE OF NELSON. ()
- DISTANT VIEW OF ENGLAND FROM THE SEA. ()
- DOVER CLIFFS. ()
- THE DYING SLAVE. ()
- ELEGIAC STANZAS. WRITTEN DURING SICKNESS AT BATH. ()
- ELEGY WRITTEN AT THE HOTWELLS, BRISTOL, JULY, 1789. ()
- EPITAPH ON H. WALMSLEY, ESQ., IN ALVERSTOKE CHURCH, HANTS. ()
- EVENING. ()
- EXHIBITION, 1807. ()
- FAIRY SKETCH. SCENE — NETLEY ABBEY. ()
- A GARDEN-SEAT AT HOME. ()
- THE GRAVE OF HOWARD. ()
- GREENWICH HOSPITAL. ()
- THE HARP OF HOEL. ()
- THE HARP, AND DESPAIR, OF COWPER. ()
- HOPE, AN ALLEGORICAL SKETCH. ()
- HOPE. ()
- HOUR-GLASS AND BIBLE. ()
- HYMN TO WODEN. ()
- IN HORTO REV. J. STILL, APUD KNOYLE, VILLAM AMŒNISSIMAM. ()
- IN MEMORIAM. ()
- INFLUENCE OF TIME ON GRIEF. ()
- INSCRIPTION. ()
- LACOCK NUNNERY. JUNE 24, 1837. ()
- THE LAST SONG OF CAMOENS. ()
- MILTON. ON THE BUSTS OF MILTON, IN YOUTH AND AGE, AT STOURHEAD. ()
- THE MISSIONARY. ()
- MONODY ON HENRY HEADLEY. ()
- MONODY ON THE DEATH OF DR WARTON. ()
- MONODY, WRITTEN AT MATLOCK. ()
- MUSIC. ()
- MUSIC. ()
- NETLEY ABBEY. ()
- ON A BEAUTIFUL LANDSCAPE. ()
- ON A BEAUTIFUL SPRING, FORMING A COLD BATH, AT COOMBE, NEAR DONHEAD, BELONGING TO MY BROTHER, CHAS. BOWLES, ESQ. ()
- ON A LANDSCAPE BY RUBENS. ()
- ON ACCIDENTALLY MEETING A LADY NOW NO MORE. WRITTEN MANY YEARS AFTER THE FOREGOING SONNETS. ()
- ON AN UNFORTUNATE AND BEAUTIFUL WOMAN. WRITTEN DECEMBER 1783. ()
- ON ENTERING SWITZERLAND. ()
- ON HEARING “THE MESSIAH” PERFORMED IN GLOUCESTER CATHEDRAL, SEPT. 18, 1835. ()
- ON LANDING AT OSTEND. ()
- ON LEAVING A PLACE OF RESIDENCE. ()
- ON LEAVING A VILLAGE IN SCOTLAND. ()
- ON LEAVING WINCHESTER SCHOOL. WRITTEN IN THE YEAR 1782. ()
- ON MR HOWARD'S ACCOUNT OF LAZARETTOS. ()
- ON RESIGNING A SCHOLARSHIP OF TRINITY COLLEGE, OXFORD, AND RETIRING TO A COUNTRY CURACY. ()
- ON THE DEATH OF THE REV. WILLIAM BENWELL, M.A. ()
- ON WILLIAM SOMMERS OF BREMHILL. ()
- OXFORD REVISITED. ()
- THE PHILANTHROPIC SOCIETY. INSCRIBED TO THE DUKE OF LEEDS. ()
- PICTURE OF A YOUNG LADY. ()
- PICTURE OF AN OLD MAN. ()
- PICTURES FROM THEOCRITUS. ()
- POLE-VELLUM, CORNWALL. A PICTURESQUE COTTAGE AND GROUNDS BELONGING TO J. LEMON, ESQ. ()
- RETROSPECTION. ()
- THE RHINE. ()
- THE RIGHT HONOURABLE EDMUND BURKE. ()
- THE RIVER CHERWELL. ()
- THE RIVER WAINSBECK. ()
- A RUSTIC SEAT NEAR THE SEA. ()
- SHAKSPEARE. ()
- SKETCH FROM BOWDEN HILL AFTER SICKNESS. ()
- SKETCHES IN THE EXHIBITION, 1805. ()
- SONG OF THE AMERICAN INDIAN. ()
- SOUTHAMPTON CASTLE. INSCRIBED TO THE MARQUIS OF LANSDOWNE. ()
- SOUTHAMPTON WATER. ()
- THE SPIRIT OF DISCOVERY BY SEA: A DESCRIPTIVE AND HISTORICAL POEM. ()
- THE SPIRIT OF NAVIGATION. ()
- ST MICHAEL'S MOUNT. INSCRIBED TO THE RIGHT HONOURABLE LORD SOMERS. ()
- STANZAS FOR MUSIC. ()
- SUMMER EVENING AT HOME. ()
- SUN-DIAL, IN THE CHURCHYARD OF BREMHILL. ()
- THE SYLPH OF SUMMER. ()
- TO A FRIEND. ()
- TO SIR WALTER SCOTT. ON ACCIDENTLY MEETING AND PARTING WITH SIR WALTER SCOTT, WHOM I HAD NOT SEEN FOR MANY YEARS, IN THE STREETS OF LONDON, MAY 1828. ()
- TO THE RIVER ITCHIN. ()
- [TRANSLATION] OF A LATIN POEM BY THE REV. NEWTON OGLE, DEAN OF MANCHESTER. ()
- THE TWEED VISITED. ()
- THE VISIONARY BOY. ()
- WARDOUR CASTLE. ()
- WATER-PARTY ON BEAULIEU RIVER, IN THE NEW FOREST. ()
- THE WINDS. ()
- WINTER EVENING AT HOME. ()
- WOODSPRING ABBEY, 1836. ()