[Page 96]
A Better Answer.
I.
1 Dear Cloe, how blubber'd is that pretty Face?
2 Thy Cheek all on Fire, and Thy Hair all uncurl'd:
3 Pr'ythee quit this Caprice; and (as old Falstaf says)
4 Let Us e'en talk a little like Folks of This World.
II.
[Page 97]5 How can'st Thou presume, Thou hast leave to destroy
6 The Beauties, which Venus but lent to Thy keeping?
7 Those Looks were design'd to inspire Love and Joy:
8 More ord'nary Eyes may serve People for weeping.
III.
9 To be vext at a Trifle or two that I writ,
10 Your Judgment at once, and my Passion You wrong:
11 You take that for Fact, which will scarce be found Wit:
12 Od's Life! must One swear to the Truth of a Song?
IV.
13 What I speak, my fair Cloe, and what I write, shews
14 The Diff'rence there is betwixt Nature and Art:
15 I court others in Verse; but I love Thee in Prose:
16 And They have my Whimsies; but Thou hast my Heart.
V.
17 The God of us Verse-men (You know Child) the Sun,
18 How after his Journeys He sets up his Rest:
19 If at Morning o'er Earth 'tis his Fancy to run;
20 At Night he reclines on his Thetis's Breast.
VI.
21 So when I am weary'd with wand'ring all Day;
22 To Thee my Delight in the Evening I come:
23 No Matter what Beauties I saw in my Way:
24 They were but my Visits; but Thou art my Home.
VII.
25 Then finish, Dear Cloe, this Pastoral War;
26 And let us like Horace and Lydia agree:
27 For Thou art a Girl as much brighter than Her,
28 As He was a Poet sublimer than Me.
Source edition
Prior, Matthew, 1664-1721. Poems on Several Occasions [English poems only]. London: Printed for JACOB TONSON at Shakespear's-Head over against Katharine-Street in the Strand, and JOHN BARBER upon Lambeth-Hill. MDCCXVIII., 1718, pp. 96-97. [42],506,[6]p.: ill.; 2°. (ESTC T075639) (Page images digitized from a copy in the Bodleian Library [H 6.8 Art.].)
Editorial principles
Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Matthew Prior
- ADRIANI MORIENTIS ad Animam Suam. IMITATED. ()
- ALMA: OR, THE PROGRESS OF THE MIND. In Three Cantos. ()
- Another Reasonable Affliction. ()
- ANOTHER [EPIGRAM]. ()
- ANOTHER [EPIGRAM]. ()
- ANOTHER [EPIGRAM]. ()
- ANOTHER [Reasonable Affliction]. ()
- ANOTHER [TRUE MAID]. ()
- Answer to CLOE Jealous, in the same Stile. The AUTHOR sick. ()
- CANTATA. ()
- CARMEN SECULARE, For the Year 1700. TO THE KING. ()
- CELIA TO DAMON. ()
- THE CHAMELEON. ()
- CHARITY. A PARAPHRASE On the Thirteenth Chapter of the First Epistle TO THE CORINTHIANS. ()
- CLOE HUNTING. ()
- CLOE JEALOUS. ()
- A Critical Moment. ()
- CUPID and GANYMEDE. ()
- CUPID Mistaken. ()
- Democritus and Heraclitus. ()
- THE DESPAIRING SHEPHERD. ()
- The DOVE. ()
- A Dutch Proverb. ()
- An English BALLAD, On the Taking of NAMUR By the King of Great Britain, 1695. ()
- AN ENGLISH PADLOCK. ()
- Engraven on a COLUMN In the Church of Halstead in Essex, The spire of which, burnt down by Lightning, was rebuilt at the Expense of Mr. Samuel Fiske, 1717. ()
- EPIGRAM. ()
- An EPIGRAM. Written to the Duke de Noailles. ()
- EPILOGUE TO LUCIUS. ()
- EPILOGUE TO PHÆDRA. ()
- AN EPISTLE TO FLEETWOOD SHEPHARD, Esq ()
- An EPISTLE, Desiring the Queen's Picture. Written at Paris, 1714. But left unfinish'd by the sudden News of Her Majesty's Death. ()
- An EPITAPH. ()
- Erle ROBERT's MICE. In Chaucer's Stile. ()
- An Extempore Invitation TO THE EARL of OXFORD, Lord High Treasurer. 1712. ()
- THE FIRST HYMN OF CALLIMACHUS. TO JUPITER. ()
- The FLIES. ()
- A FLOWER, Painted by SIMON VARELST. ()
- For my own Tomb-stone. ()
- FOR THE NEW YEAR: TO THE SUN. Intended To be Sung before Their Majesties on New-Years Day. 1693/4. (); HYMN to the SUN. Set by Dr. PURCEL, And Sung before their Majesties On New-Years-Day, 1694. ()
- FOR The Plan of a Fountain, On which is The Effigies of the Queen on a Triumphal Arch, The Figure of the Duke of Marlborough, beneath, and The Chief Rivers of the World round the whole Work. ()
- Forma Bonum Fragile. ()
- From the Greek. ()
- The Garland. ()
- GUALTERUS DANISTONUS. Ad Amicos. IMITATED. ()
- HANS CARVEL. ()
- HENRY and EMMA, A POEM, Upon the Model of The Nut-brown Maid. To CLOE. ()
- Her Right Name. ()
- Horace Lib. I. Epist. IX. Septimius, Claudi, nimirum intelligit unus, Quanti me facias: &c. Imitated. To the Right Honorable Mr. HARLEY. ()
- IN IMITATION OF ANACREON. ()
- In the same [Chaucer's] Style. ()
- In the same [Chaucer's] Style. ()
- THE LADLE. ()
- The Lady who offers her Looking-Glass to Venus. ()
- THE LADY's LOOKING-GLASS. ()
- A LETTER TO Monsieur Boileau Despreaux; Occasion'd by the VICTORY at BLENHEIM, 1704. ()
- Lisetta's Reply. ()
- LOVE Disarm'd. ()
- A LOVER's ANGER. ()
- MERCURY and CUPID. ()
- MERRY ANDREW. ()
- AN ODE, &c. ()
- AN ODE, Humbly Inscrib'd to the QUEEN. ON THE Glorious Success OF Her MAJESTY's Arms, 1706. Written in Imitation of Spencer's Style. ()
- An ODE. ()
- An ODE. ()
- An ODE. ()
- An ODE. Inscribed to the Memory of the Honble Col. George Villiers, Drowned in the River Piava, in the Country of Friuli. 1703. In Imitation of Horace, Ode 28. Lib. 1. ()
- On BEAUTY. A RIDDLE. ()
- On Exodus iii. 14. I am that I am. An ODE. Written in 1688, as an Exercise at St. John's College, Cambridge. ()
- On the Same Person. ()
- On the same Subject. ()
- On the Same. ()
- PALLAS and VENUS. AN EPIGRAM. ()
- A Passage in the MORIÆ ENCOMIUM of Erasmus Imitated. ()
- PAULO PURGANTI AND His WIFE: An Honest, but a Simple Pair. ()
- PHYLLIS's AGE. ()
- Picture of Seneca dying in a Bath. By Jordain. At the Right Honorable the Earl of Exeter's at Burleigh-House. ()
- A PINDARIQUE ON His Majesties Birth-Day. By Mr. PRIOR Sung before Their Majesties at WHITEHALL, The Fourth of November 1690. A Prophecy by APOLLO. ()
- PROLOGUE, SPOKEN AT COURT before the QUEEN, On Her Majesty's Birth-Day, 1704. ()
- Protogenes and Apelles. ()
- The Question, to Lisetta. ()
- Quid sit futurum Cras fuge quærere. ()
- A Reasonable Affliction. ()
- THE SECOND HYMN OF CALLIMACHUS. TO APOLLO. ()
- SEEING THE DUKE of ORMOND's PICTURE, AT Sir GODFREY KNELLER's. ()
- A SIMILE. ()
- SOLOMON ON THE VANITY OF THE WORLD. A POEM In THREE BOOKS. ()
- A SONG. ()
- A SONG. ()
- The THIEF AND THE CORDELIER, A BALLAD. ()
- To a LADY: She refusing to continue a Dispute with me, and leaving me in the Argument. An ODE. ()
- To a Person who wrote Ill, and spake Worse against Me. ()
- TO A Young Gentleman in Love. A TALE. ()
- To CLOE Weeping. ()
- TO Dr. SHERLOCK, ON HIS PRACTICAL DISCOURSE Concerning Death. ()
- To Mr. HARLEY. Wounded by Guiscard. 1711. ()
- TO Mr. HOWARD: An ODE. ()
- TO My LORD BUCKHURST, Very Young, Playing with a CAT. ()
- TO THE AUTHOR OF THE Foregoing PASTORAL. ()
- TO THE COUNTESS of DORSET. Written in her Milton. ()
- TO THE COUNTESS of EXETER, Playing on the Lute. ()
- To the Honorable CHARLES MONTAGUE, Esq ()
- TO THE KING, AN ODE, &c. (); An ODE. Presented to the KING, on his Majesty's Arrival in Holland, AFTER The QUEEN's Death. 1695. ()
- TO THE LADY DURSLEY On the same Subject. ()
- TO THE Lady Elizabeth Harley, Since Marchioness of Carmarthen, On a Column of Her Drawing. ()
- A TRUE MAID. ()
- VENUS Mistaken. ()
- VERSES Humbly presented to the KING At His Arrival in HOLLAND: After the DISCOVERY Of the late horrid CONSPIRACY Against His most Sacred Person. (); Presented to the KING, AT HIS ARRIVAL in HOLLAND, AFTER THE Discovery of the Conspiracy 1696. ()
- Written at Paris, 1700. In the Beginning of ROBE's GEOGRAPHY. ()
- Written in an OVID. ()
- Written in Montaigne's Essays, Given to the Duke of Shrewsbury in France, after the Peace, 1713. ()
- Written in the Beginning of MEZERAY's History of FRANCE. ()
- Written in the Nouveaux Interests des Princes de l'Europe. ()