[Page 67]
Paid for Peeping:
A POEM, Occasion'd by a Peeping hole into a Chamber where a Beautiful and Virtuous young Lady Lodg'd, through which undiscover'd, I could observe all her Actions.
I.
1 ACTAEON thus admiring stood,
2 To see bright Cynthia bless the Flood
3 With her Soul charming naked Limbs:
4 He sigh'd, and wish'd for such a Wife,
5 Till Peeping cost the Fool his Life,
6 Not getting further off betimes.
II.
7 Though no such dreadful Fate I had,
8 Nor yet so dear for Peeping paid;
[Page 68]9 Nor felt such strange and fatal smart,
10 Though all my Stars propitious stood,
11 To save the shedding of my Blood,
12 Insensibly I lost my Heart.
III.
13 Sweet Innocence well guarded lay
14 To Charm my Peeping Soul away,
15 With Beauties penetrating Rays;
16 My wanton Thoughts that hop'd to see,
17 Something well worthy Raillery,
18 Were wholly taken up with Praise.
IV.
19 Sometimes I found her close at Pray'r,
20 And sometimes Combing of her Hair,
21 Which on her Back did curling lye;
22 Sometimes with Neck and Breasts all bare
23 She stood as she was planted there,
24 My Heart to Murder through my Eye.
V.
25 Yet shy of every Nudity,
26 So Modest that she seem'd to me
[Page 69]27 Of such a tim'rous bashful Soul,
28 As if she had discover'd been,
29 Or that she really had seen
30 Me fondly peeping through the hole.
VI.
31 The Satyr, as old Tales recount,
32 Gaz'd on Diana in the Fount,
33 Besotted with a brutish Passion:
34 But mine was dash'd from that degree,
35 For all the brutal part in me,
36 Was turn'd to humble Adoration.
VII.
37 Even I, was to Devotion bent,
38 Seeing that dear, that pretty Saint
39 With Providence so oft confer;
40 Yet when to Heaven I sent my Pray'r,
41 Before it had got half way there,
42 My wandring Thoughts flew down to her.
VIII.
43 Then sometimes smother'd Zeal would fire,
44 Bursting to flashes of desire,
[Page 70]45 I envied Heaven the time she pray'd;
46 Methought that Face, that blooming Youth,
47 Those lovely Eyes, that pretty Mouth,
48 Were for Eternal Kisses made.
IX.
49 Sometimes she'd laugh and talk of Love,
50 Sometimes on graver Matters prove,
51 That she well-skill'd in Books had been;
52 Sometimes she'd Read, and sometimes Write,
53 Her little Hands no Snow so white,
54 Nor any River-Swan so clean.
X.
55 Boldly, not knowing her Abuse,
56 She'd put her Stockings on and Shooes,
57 Then Roll a Gartar above Knee,
58 Her Foot and Leg, and tempting Thigh,
59 And every Beauty that was by,
60 All carelesly expos'd to me.
XI.
61 And many a Sacred Sunday Morn,
62 Naked as ever she was born,
[Page 71]63 Ere she was ready to be dress'd,
64 I've seen her put clean Linnen on,
65 Whilst to my greedy Eye was shown
66 More Beauty than can be express'd.
XII.
67 Children are told that Maids are free
68 From Nature's Liquid Quality,
69 Imposing thus on Childish Wit;
70 And Faith, had I not seen the Pot,
71 She was so Neat I should have thought,
72 She had done nothing else but spet.
XIII.
73 To free my self from all dispute,
74 This Scruple better to confute,
75 I once resolv'd to press more near;
76 But ah, here ended all my Joys,
77 She found my Cranny, heard my Noise,
78 And stood half dead 'twixt Shame and Fear.
XIV.
79 As in some fat and plashy Ground,
80 A Fowler has a Covey found,
[Page 72]81 All feeding at the Noon of day;
82 By his Robust and blund'ring Noise,
83 The Game has rais'd, they mount the Skies,
84 And frighted, post with speed away:
XV.
85 So from that hour no Game was seen,
86 No Fairy Land, nor Fairy Queen,
87 Did ever since that time appear;
88 Closestool was in the Closet shut,
89 The Night-shift gone, and the dear Pot,
90 Barb'rously hid the Lord knows where.
XVI.
91 No Wonders now were seen in Bed,
92 Before my Chink a Screen was spread,
93 Scarce any Light the Room adorns;
94 And now the finest sight I had
95 Was Squinty Fegue, the dirty Maid,
96 In th' Chimney cutting of her Corns.
XVII.
97 Who such a Change did ever know,
98 Who but the Devil e'r fell so low,
[Page 73]99 That in such state of bliss had been:
100 For though my Eyes from Heaven must part,
101 The hole dam'd up, yet my poor Heart
102 Was still close Pris'ner kept within.
XVIII.
103 But when I heard she would be gone,
104 Low as her Feet I threw me down,
105 And beg'd her not to leave the place;
106 But now, alas, too well she knew
107 My Heart-strings after her she drew,
108 And thus revil'd me to my face.
XIX.
109 Rather my Glass of Life shall run,
110 In Caves that never saw the Sun,
111 Than here with thee, thou worst of Men:
112 Thee Traytor to despair I doom,
113 He that has oagled once my B—
114 Shall never see my Face agen.
XX.
115 Like Bolts sent from the sultry South,
116 This Thunder from her heavenly Mouth,
[Page 74]117 On my unguarded Heart did fall
118 So fierce, that in my tortur'd mind,
119 Possess'd with Rage, I once design'd
120 To knock my Head against the Wall.
XXI.
121 Then Adam the first Man I curst,
122 That brought the Mischief in at first
123 To traffick with forbidden Joys;
124 Else Beauty's World had naked been,
125 Nor had I for my peeping Sin,
126 Like him been banish'd Paradise.
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About this text
Title (in Source Edition): Paid for Peeping: A POEM, Occasion'd by a Peeping hole into a Chamber where a Beautiful and Virtuous young Lady Lodg'd, through which undiscover'd, I could observe all her Actions.
Author: Thomas D'Urfey
Themes:
Genres:
occasional poem
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Source edition
D'Urfey, Thomas, 1653-1723. New poems, consisting of satyrs, elegies, and odes together with a choice collection of the newest court songs set to musick by the best masters of the age / all written by Mr. D'Urfey. London: Printed for J. Bullord ... and A. Roper ..., 1690, pp. 67-74. [16],207,[1]p. (ESTC R17889) (Page images digitized from a copy in the Bodleian Library [Harding C 1197 (1)].)
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Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Thomas D'Urfey
- Against Free-Will. A SONG. ()
- Another EPILOGUE Intended for the same. ()
- The Author answers his Friend, who blames him for not singing, when desired, he contradict the Third Satyr of Horace, beginning with Omnibus hoc vitium est Cantoribus inter Amicos, &c. He defends Tigellius, and proves that Horace had no actual Skill in Vocal Musick. ()
- A Catch in Three Parts, set by Mr. Hen. Purcel, and taken from the Latin of BUCHANAN. ()
- A CATCH set by Docter BLOW. ()
- A Dialogue between a Town Spark and his Miss. ()
- A Dialogue between PHILANDER and SILVIA, set to an excellent new Scotch Tune. ()
- The DREAM: Or, CELADON's Complaint of MORPHEUS to the Assembly of the GODS. ()
- An ELEGY On the Death of that true Perfection of Beauty and Goodness, the Lady ESSEX SPICKET, who dyed of the Small-Pox, immediately after her Marriage. ()
- An ELEGY on the Death of the Great Duke of ORMOND. ()
- An ELEGY On the late Holy Father Pope INNOCENT the Eleventh. ()
- EPIGRAM On the Sacred Memory of that glorious Patron of POETS, greatest and best of Monarchs, KING CHARLES the Second. ()
- An Epilogue intended for a late COMEDY, and to be spoke by Mr. MONFORD, in a long Presbyterian Cloak. ()
- Epilogue to the Opera of DIDO and AENEAS, ()
- An EPITHALAMIUM on the Marriage of the Lord MORPETH with the Lady ANN CAPELL. ()
- Epithalamy on the Marriage of the Right Honourable the Lady Essex Roberts. ()
- EPSOM-WELLS: A Satyr by way of Dialogue, between Critick and Fame. ()
- The Farmers Daughter, a SONG, set to a Pleasant Scotch Tune. ()
- The HEALTH. A Second Movement. ()
- The KING'S Health: A CATCH Sung in Parts. ()
- A LASH AT ATHEISTS: The POET speaking, as the Ghost of a Quondam Libertine, suppos'd to be the late E. of R. Reflects on that part of Seneca's Troas, beginning atPost Mortem nihil est, Ipsaq; Mors nihilVelocis spatii meta Novissima:Spem ponant avidi seliciti metum.Quaeris quo Iaceas post Obitum locoQuo non Nata Iacent. ()
- The Law of Nature; A SONG set to an Excellent new Tune. ()
- A Letter written by the Author for a Friend, to one in Town; being a SATYR, on DINGBOY and a Rampant WIDOW. 1685. ()
- A Letter Written for a LADY in Answer to a Friend. ()
- Loves Revenge. A SONG. ()
- A Mock SONG to, When first AMINTOR su'd for a Kiss, &c. ()
- The MORALIST. A Song. ()
- Mr. HAINES's Second Recantation: A PROLOGUE intended to be spoken by him dress'd in a Turkish habit. ()
- A NEW ESSAY In Defence of VERSE, With a SATYR Upon the Enemies of POETRY. ()
- An ODE TO THE QUEEN. ()
- An ODE, From the Greek of ANACREON. ()
- An ODE. To my much honored Friend Sir THOMAS GARRARD, Baronet, upon his Climacterical YEAR. ()
- The Old Fumbler. A SONG: Set by Mr. Hen. Purcell. ()
- A PARALLEL. ()
- A POEM Panegyrical On His GRACE THE D. of ALBEMARLE; With Remarks on His Voyage for JAMAICA, and the late Treasure brought Home in the JAMES and MARY. ()
- Prologue spoken by Mr. HAINS to TRAPOLIN, or a Duke and no Duke. ()
- A PROLOGUE, By way of SATYR, spoke before King CHARLES II. at New-Market. ()
- The Scotch VIRAGO. A SONG Sung to the Queen at Kensington. ()
- A Second Burlesque LETTER written for a Friend, suppos'd to be a CUCKOLD'S GHOST, coming from Hell, and answering a Satyr of STUM CLARET his Brother Vintner; With a Conjugal Reprimand to SALACIA his late Mournful WIDOW. ()
- A SONG set to a pleasant Scotch Tune. ()
- SONG. ()
- A SONG. ()
- A SONG. ()
- SONG. II. To a young LADY Affronted by an Envious old Woman. ()
- TO A LADY, Twitting him with his being Peevish, and having Ill Humours. ()
- To Chloris: A SONG. ()
- TO CHLORIS: A SONG. ()
- To CLORIS: An ODE set to the New RIGGADON. ()
- To CYNTHIA. ()
- To CYNTHIA. ()
- To Cynthia. A SONG. ()
- To pretty Mrs. H. D. upon the sight of her Picture standing amongst other at Mr. Knellers. ()
- To the KING: An ODE on his Birth Day. ()
- To the Right Honorable the Lady Olympia R. on her Genius in POETRY. ()
- TO THE Right HONOURABLE THE LADY E. R. Vpon her finding a Spider in her BED. ()
- TO THE Right HONOURABLE THE. Earl of RADNOR ON HIS MARRIAGE. ()
- A TRUE TALE OF A True INTRIGUE. ()