[Page 176]To the Painter of an ill-drawn Picture of CLEONE, the Honorable Mrs. Thynne. [ed.]
To the Painter of an ill-drawn Picture of CLEONE, the Honorable Mrs. Thynne. [ed.][ed.] Henry Thynne ("Theanor") (1675-1708) married Grace Strode ("Cleone"), the daughter and heiress of Sir George Strode and Grace FitzJames, in 1695.
(AH)
1 SOoner I'd praise a Cloud which Light beguiles,
2 Than thy rash Hand which robs this Face of Smiles;
3 And does that sweet and pleasing Air controul,
4 Which to us paints the fair CLEONE's Soul.
5 'Tis vain to boast of Rules or labour'd Art;
6 I miss the Look that captivates my Heart,
7 Attracts my Love, and tender Thoughts inspires;
8 Nor can my Breast be warm'd by common Fires;
9 Nor can ARDELIA love but where she first admires.
10 Like Jupiter's, thy Head was sure in Pain
11 When this Virago struggl'd in thy Brain;
[Page 177]12 And strange it is, thou hast not made her wield
13 A mortal Dart, or penetrating Shield,
14 Giving that Hand of disproportion'd size
15 The Pow'r, of which thou hast disarm'd her Eyes:
16 As if, like Amazons, she must oppose,
17 And into Lovers force her vanquish'd Foes.
18 Had to THEANOR thus her Form been shown
19 To gain her Heart, he had not lost his own;
20 Nor, by the gentlest Bands of Human Life,
21 At once secur'd the Mistress and the Wife.
22 For still CLEONE's Beauties are the same,
23 And what first lighten'd, still upholds his Flame.
24 Fain his Compassion wou'd thy Works approve,
25 Were pitying thee consistent with his Love,
26 Or with the Taste which Italy has wrought
27 In his refin'd and daily heighten'd Thought,
28 Where Poetry, or Painting find no place,
29 Unless perform'd with a superior Grace.
30 Cou'd but my Wish some Influence infuse,
31 Ne'er shou'd the Pencil, or the Sister-Muse
32 Be try'd by those who easily excuse:
[Page 178]33 But strictest Censors shou'd of either judge,
34 Applaud the Artist, and despise the Drudge.
35 Then never wou'd thy Colours have debas'd
36 CLEONE's Features, and her Charms defac'd:
37 Nor had my Pen (more subject to their Laws)
38 Assay'd to vindicate her Beauty's Cause.
39 A rigid Fear had kept us both in Awe,
40 Nor I compos'd, nor thou presum'd to draw;
41 But in CLEONE viewing with Surprize
42 That Excellence, to which we ne'er cou'd rise,
43 By less Attempts we safely might have gain'd
44 That humble Praise which neither has obtain'd,
45 Since to thy Shadowings, or my ruder Verse,
46 It is not giv'n to shew, or to rehearse
47 What Nature in CLEONE's Face has writ,
48 A soft Endearment, and a chearful Wit,
49 That all-subduing, that enliv'ning Air
50 By which, a sympathizing Joy we share,
51 For who forbears to smile, when smil'd on by the Fair?
About this text
Title (in Source Edition): To the Painter of an ill-drawn Picture of CLEONE, the Honorable Mrs. Thynne.
Themes:
art; painting
Genres:
heroic couplet
Text view / Document view
Source edition
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720. Miscellany poems, on several occasions: Written by the Right Honble Anne, Countess of Winchilsea. London: printed for J. B. and sold by Benj. Tooke, William Taylor, and James Round, 1713, pp. 176-178. [8],390p. ; 8⁰. (ESTC T94539; Foxon pp. 274-5; OTA K076314.000) (Page images digitized from a copy in the Bodleian Library [Buxton 100].)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Anne Finch (née Kingsmill), countess of Winchilsea
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- The CHANGE. ()
- The Critick and the Writer of FABLE ()
- Cupid and Folly. Imitated from the FRENCH. ()
- The Decision of Fortune. A FABLE. ()
- Democritus and his Neighbours. Imitated from Fontaine. ()
- A Description of One of the Pieces of Tapistry at Long-Leat, made after the famous Cartons of Raphael; in which, Elymas the Sorcerer is miraculously struck Blind by St. Paul before Sergius Paulus, the Proconsul of Asia. Inscribed to the Honble HENRY THYNNE, under the Name of THEANOR. ()
- The DOG and his MASTER. ()
- The Eagle, the Sow, and the Cat. ()
- Enquiry after Peace. A Fragment. ()
- An EPISTLE from a Gentleman to Madam Deshouliers, returning Money she had lent him at Bassette, upon the first Day of their Acquaintance. Translated with Liberty from the French. ()
- An EPISTLE from Alexander to Hephaestion in his Sickness. ()
- The EQUIPAGE. Written Originally in FRENCH by L'Abbé Reigner. ()
- The EXECUTOR. ()
- Fanscomb Barn. In Imitation of MILTON. ()
- The following Lines occasion'd by the Marriage of Edward Herbert Esquire, and Mrs. Elizabeth Herbert. ()
- For the Better. Imitated from Sir Roger L'Estrange. ()
- Fragment at Tunbridge-Wells. ()
- FRAGMENT. ()
- Friendship between EPHELIA and ARDELIA. ()
- GLASS. ()
- The Hog, the Sheep, and Goat carrying to a FAIR. ()
- HOPE. ()
- The House of Socrates. ()
- The HYMN. ()
- JEALOUSY. A SONG. ()
- Jupiter and the Farmer. ()
- The King and the Shepherd. Imitated from the French. ()
- La Passion Vaincue. Done into English with Liberty. ()
- A LETTER to the same Person. ()
- LIFE's Progress. ()
- The LORD and the BRAMBLE ()
- Love, Death, and Reputation. ()
- The LYON and the GNAT. ()
- The MAN and his HORSE. ()
- The Man bitten by Fleas. ()
- Man's Injustice towards Providence. ()
- MERCURY and the ELEPHANT. A Prefatory FABLE. ()
- A Miller, his Son, and their Ass. A FABLE Translated from Monsieur de la Fontaine. ()
- Moral SONG. ()
- THE Mussulman's Dream OF THE VIZIER and DERVIS. ()
- A Nocturnal Reverie. ()
- On the Death of the Honourable Mr. James Thynne, younger Son to the Right Honourable the Lord Viscount Weymouth. ()
- The Owl Describing her Young Ones. ()
- Part of the Fifth Scene in the Second Act of Athalia, a Tragedy, written in French by Monsieur Racine. ()
- A Pastoral DIALOGUE between Two Shepherdesses. ()
- The Petition for an Absolute Retreat. Inscribed to the Right Honble CATHARINE Countess of THANET, mention'd in the Poem under the Name of ARMINDA. ()
- The Philosopher, the Young Man, and his Statue. ()
- The PHOENIX. A SONG. ()
- A Pindarick Poem Upon the Hurricane in November 1703, referring to this Text in Psalm 148. ver. 8. Winds and Storms fulfilling his Word. ()
- A POEM for the Birth-day of the Right Honble the Lady CATHARINE TUFTON. Occasion'd by sight of some Verses upon that Subject for the preceding Year, compos'd by no Eminent Hand. ()
- The Poor Man's Lamb: OR, Nathan's Parable to David after the Murder of Uriah, and his Marriage with Bathsheba. Turn'd into Verse and Paraphras'd. ()
- The Prevalence of Custom. ()
- PSALM the 137th, Paraphras'd to the 7th Verse. ()
- REFORMATION. ()
- The Shepherd and the Calm. ()
- The Shepherd Piping to the Fishes. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- The SPLEEN. A Pindarick Poem. ()
- A Tale of the Miser, and the Poet. Written about the Year 1709. ()
- [Tasso, Aminta:] AMINTOR, being ask'd by THIRSIS Who is the Object of his Love? speaks as follows. ()
- [Tasso, Aminta:] Daphne's Answer to Sylvia, declaring she should esteem all as Enemies, who should talk to her of LOVE. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. Part of the Description of the Golden Age. ()
- [Tasso, Aminta:] THIRSIS persuades AMINTOR not to despair upon the Predictions of Mopsus discov'ring him to be an Impostor. ()
- There's No To-Morrow, A FABLE imitated from Sir Roger L'Estrange. ()
- To a Friend, in Praise of the Invention of Writing Letters. ()
- To DEATH. ()
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- To Mr. F. now Earl of W. Who going abroad, had desired ARDELIA to write some Verses upon whatever Subject she thought fit, against his Return in the Evening. ()
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- The TREE. ()
- VERSES Written under the King of Sweden's Picture. ()
- The Wit and the Beau. ()
- The Young RAT and his DAM, the COCK and the CAT. ()