[Page 166][Page 169][Page 171]
The King and the Shepherd.
Imitated from the French.
1 THrough ev'ry Age some Tyrant Passion reigns:
2 Now Love prevails, and now Ambition gains
3 Reason's lost Throne, and sov'reign Rule maintains.
4 Tho' beyond Love's, Ambition's Empire goes;
5 For who feels Love, Ambition also knows,
6 And proudly still aspires to be possest
7 Of Her, he thinks superior to the rest.
[Page 167]8 As cou'd be prov'd, but that our plainer Task
9 Do's no such Toil, or Definitions ask;
10 But to be so rehears'd, as first 'twas told,
11 When such old Stories pleas'd in Days of old.
12 A King, observing how a Shepherd's Skill
13 Improv'd his Flocks, and did the Pastures fill,
14 That equal Careth' assaulted did defend,
15 And the secur'd and grazing Part attend,
16 Approves the Conduct, and from Sheep and Curs
17 Transfers the Sway, and chang'd his Wool to Furrs.
18 Lord-Keeper now, as rightly he divides
19 His just Decrees, and speedily decides;
20 When his sole Neighbour, whilst he watch'd the Fold,
21 A Hermit poor, in Contemplation old,
22 Hastes to his Ear, with safe, but lost Advice,
23 Tells him such Heights are levell'd in a trice,
24 Preferments treach'rous, and her Paths of Ice:
[Page 168]25 And that already sure 't had turn'd his Brain,
26 Who thought a Prince's Favour to retain.
27 Nor seem'd unlike, in this mistaken Rank,
28 The sightless Wretch, who froze upon a Bank
29 A Serpent found, which for a Staff he took,
30 And us'd as such (his own but lately broke)
31 Thanking the Fates, who thus his Loss supply'd,
32 Nor marking one, that with amazement cry'd,
33 Throw quickly from thy Hand that sleeping Ill
34 A Serpent 'tis, that when awak'd will kill.
35 A Serpent this! th' uncaution'd Fool replies:
36 A Staff it feels, nor shall my want of Eyes,
37 Make me believe, I have no Senses left,
38 And thro' thy Malice be of this bereft;
39 Which Fortune to my Hand has kindly sent
40 To guide my Steps, and stumbling to prevent.
41 No Staff, the Man proceeds; but to thy harm
42 A Snake 'twill prove: The Viper, now grown warm
43 Confirm'd it soon, and fasten'd on his Arm.
44 Thus wilt thou find, Shepherd believe it true,
45 Some Ill, that shall this seeming Good ensue;
46 Thousand Distastes, t'allay thy envy'd Gains,
47 Unthought of, on the parcimonious Plains.
48 So prov'd the Event, and Whisp'rers now defame
49 The candid Judge, and his Proceedings blame.
50 By Wrongs, they say, a Palace he erects,
51 The Good oppresses, and the Bad protects.
52 To view this Seat the King himself prepares,
53 Where no Magnificence or Pomp appears,
54 But Moderation, free from each Extream,
55 Whilst Moderation is the Builder's Theme.
56 Asham'd yet still the Sycophants persist,
57 That Wealth he had conceal'd within a Chest,
58 Which but attended some convenient Day,
59 To face the Sun, and brighter Beams display.
60 The Chest unbarr'd, no radiant Gems they find,
61 No secret Sums to foreign Banks design'd,
62 But humble Marks of an obscure Recess,
63 Emblems of Care, and Instruments of Peace;
[Page 170]64 The Hook, the Scrip, and for unblam'd Delight
65 The merry Bagpipe, which, ere fall of Night,
66 Cou'd sympathizing Birds to tuneful Notes invite.
67 Welcome ye Monuments of former Joys!
68 Welcome! to bless again your Master's Eyes,
69 And draw from Courts, th' instructed Shepherd cries.
70 No more dear Relicks! we no more will part,
71 You shall my Hands employ, who now revive my Heart.
72 No Emulations, or corrupted Times
73 Shall falsly blacken, or seduce to Crimes
74 Him, whom your honest Industry can please,
75 Who on the barren Down can sing from inward Ease.
76 How's this! the Monarch something mov'd rejoins.
77 With such low Thoughts, and Freedom from Designs,
78 What made thee leave a Life so fondly priz'd,
79 To be in Crouds, or envy'd, or despis'd?
80 Forgive me, Sir, and Humane Frailty see,
81 The Swain replies, in my past State and Me;
82 All peaceful that, to which I vow return.
83 But who alas! (tho' mine at length I mourn)
84 Was e'er without the Curse of some Ambition born.
Text
- TEI/XML [chunk] (XML - 196K / ZIP - 20K) / ECPA schema (RNC - 357K / ZIP - 73K)
- Plain text [excluding paratexts] (TXT - 3.8K / ZIP - 2.2K)
Facsimile (Source Edition)
(Page images digitized from a copy in the Bodleian Library [Buxton 100].)
Images
- Image #1 (JPEG - 5.3M)
- Image #2 (JPEG - 5.7M)
- Image #3 (JPEG - 4.7M)
- Image #4 (JPEG - 5.8M)
- Image #5 (JPEG - 4.6M)
- Image #6 (JPEG - 5.7M)
All Images (PDF - 7.9M)
About this text
Themes:
ambition
Genres:
heroic couplet; imitation; translation
Text view / Document view
Source edition
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720. Miscellany poems, on several occasions: Written by the Right Honble Anne, Countess of Winchilsea. London: printed for J. B. and sold by Benj. Tooke, William Taylor, and James Round, 1713, pp. 166-171. [8],390p. ; 8⁰. (ESTC T94539; Foxon pp. 274-5; OTA K076314.000) (Page images digitized from a copy in the Bodleian Library [Buxton 100].)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Anne Finch (née Kingsmill), countess of Winchilsea
- ADAM Pos'd. ()
- ALCIDOR. ()
- All is Vanity. ()
- The ATHEIST and the ACORN. ()
- The Battle between the Rats and the Weazles. ()
- The Brass-Pot, and Stone-Jugg. A FABLE. ()
- The CAUTIOUS LOVERS. ()
- The CHANGE. ()
- The Critick and the Writer of FABLE ()
- Cupid and Folly. Imitated from the FRENCH. ()
- The Decision of Fortune. A FABLE. ()
- Democritus and his Neighbours. Imitated from Fontaine. ()
- A Description of One of the Pieces of Tapistry at Long-Leat, made after the famous Cartons of Raphael; in which, Elymas the Sorcerer is miraculously struck Blind by St. Paul before Sergius Paulus, the Proconsul of Asia. Inscribed to the Honble HENRY THYNNE, under the Name of THEANOR. ()
- The DOG and his MASTER. ()
- The Eagle, the Sow, and the Cat. ()
- Enquiry after Peace. A Fragment. ()
- An EPISTLE from a Gentleman to Madam Deshouliers, returning Money she had lent him at Bassette, upon the first Day of their Acquaintance. Translated with Liberty from the French. ()
- An EPISTLE from Alexander to Hephaestion in his Sickness. ()
- The EQUIPAGE. Written Originally in FRENCH by L'Abbé Reigner. ()
- The EXECUTOR. ()
- Fanscomb Barn. In Imitation of MILTON. ()
- The following Lines occasion'd by the Marriage of Edward Herbert Esquire, and Mrs. Elizabeth Herbert. ()
- For the Better. Imitated from Sir Roger L'Estrange. ()
- Fragment at Tunbridge-Wells. ()
- FRAGMENT. ()
- Friendship between EPHELIA and ARDELIA. ()
- GLASS. ()
- The Hog, the Sheep, and Goat carrying to a FAIR. ()
- HOPE. ()
- The House of Socrates. ()
- The HYMN. ()
- JEALOUSY. A SONG. ()
- Jupiter and the Farmer. ()
- La Passion Vaincue. Done into English with Liberty. ()
- A LETTER to the same Person. ()
- LIFE's Progress. ()
- The LORD and the BRAMBLE ()
- Love, Death, and Reputation. ()
- The LYON and the GNAT. ()
- The MAN and his HORSE. ()
- The Man bitten by Fleas. ()
- Man's Injustice towards Providence. ()
- MERCURY and the ELEPHANT. A Prefatory FABLE. ()
- A Miller, his Son, and their Ass. A FABLE Translated from Monsieur de la Fontaine. ()
- Moral SONG. ()
- THE Mussulman's Dream OF THE VIZIER and DERVIS. ()
- A Nocturnal Reverie. ()
- On the Death of the Honourable Mr. James Thynne, younger Son to the Right Honourable the Lord Viscount Weymouth. ()
- The Owl Describing her Young Ones. ()
- Part of the Fifth Scene in the Second Act of Athalia, a Tragedy, written in French by Monsieur Racine. ()
- A Pastoral DIALOGUE between Two Shepherdesses. ()
- The Petition for an Absolute Retreat. Inscribed to the Right Honble CATHARINE Countess of THANET, mention'd in the Poem under the Name of ARMINDA. ()
- The Philosopher, the Young Man, and his Statue. ()
- The PHOENIX. A SONG. ()
- A Pindarick Poem Upon the Hurricane in November 1703, referring to this Text in Psalm 148. ver. 8. Winds and Storms fulfilling his Word. ()
- A POEM for the Birth-day of the Right Honble the Lady CATHARINE TUFTON. Occasion'd by sight of some Verses upon that Subject for the preceding Year, compos'd by no Eminent Hand. ()
- The Poor Man's Lamb: OR, Nathan's Parable to David after the Murder of Uriah, and his Marriage with Bathsheba. Turn'd into Verse and Paraphras'd. ()
- The Prevalence of Custom. ()
- PSALM the 137th, Paraphras'd to the 7th Verse. ()
- REFORMATION. ()
- The Shepherd and the Calm. ()
- The Shepherd Piping to the Fishes. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- The SPLEEN. A Pindarick Poem. ()
- A Tale of the Miser, and the Poet. Written about the Year 1709. ()
- [Tasso, Aminta:] AMINTOR, being ask'd by THIRSIS Who is the Object of his Love? speaks as follows. ()
- [Tasso, Aminta:] Daphne's Answer to Sylvia, declaring she should esteem all as Enemies, who should talk to her of LOVE. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. Part of the Description of the Golden Age. ()
- [Tasso, Aminta:] THIRSIS persuades AMINTOR not to despair upon the Predictions of Mopsus discov'ring him to be an Impostor. ()
- There's No To-Morrow, A FABLE imitated from Sir Roger L'Estrange. ()
- To a Friend, in Praise of the Invention of Writing Letters. ()
- To DEATH. ()
- To Edward Jenkinson, Esq a very young Gentleman, who writ a Poem on PEACE. ()
- To Mr. F. now Earl of W. Who going abroad, had desired ARDELIA to write some Verses upon whatever Subject she thought fit, against his Return in the Evening. ()
- To the NIGHTINGALE. ()
- To the Painter of an ill-drawn Picture of CLEONE, the Honorable Mrs. Thynne. ()
- The Tradesman and the Scholar. ()
- The TREE. ()
- VERSES Written under the King of Sweden's Picture. ()
- The Wit and the Beau. ()
- The Young RAT and his DAM, the COCK and the CAT. ()