[Page 126]
The Young RAT and his DAM, the COCK and the CAT.
1 NO Cautions of a Matron, Old and Sage
2 Young Rattlehead to Prudence cou'd engage
3 But forth the Offspring of her Bed wou'd go,
4 Nor reason gave, but that he wou'd do so.
5 Much Counsel was, at parting, thrown away,
6 Ev'n all, that Mother-Rat to Son cou'd say;
[Page 127]7 Who follow'd him with utmost reach of Sight,
8 Then, lost in Tears, and in abandon'd Plight,
9 Turn'd to her mournful Cell, and bid the World Good-Night.
10 But Fortune, kinder than her boding Thought,
11 In little time the Vagrant homewards brought,
12 Rais'd in his Mind, and mended in his Dress,
13 Who the Bel-air did every way confess,
14 Had learnt to flow'r his Wigg, nor brusht away
15 The falling Meal, that on his Shoulders lay;
16 And from a Nutshell, wimbl'd by a Worm,
17 Took Snuff, and cou'd the Government reform.
18 The Mother, weeping from Maternal Love,
19 To see him thus prodigiously improve,
20 Expected mighty Changes too, within,
21 And Wisdom to avoid the Cat, and Gin.
22 Whom did you chiefly note, Sweetheart, quoth she,
23 Of all the Strangers you abroad did see?
24 Who grac'd you most, or did your Fancy take?
25 The younger Rat then curs'd a noisy Rake,
26 That barr'd the best Acquaintance he cou'd make;
[Page 128]27 And scar'd him so, he trembl'd ev'ry Part;
28 Nor to describe him, scarce cou'd have the Heart
29 High on his Feet (quoth he) himself he bore,
30 And terribly, in his own Language, swore;
31 A feather'd Arm came out from either Side,
32 Which loud he clapp'd, and Combatants defy'd,
33 And to each Leg a Bayonette was ty'd:
34 And certainly his Head with Wounds was sore;
35 For That, and both his Cheeks a Sanguine Colour wore.
36 Near Him there lay the Creature I admir'd,
37 And for a Friend by Sympathy desir'd:
38 His Make, like Ours, as far as Tail and Feet,
39 With Coat of Furr in parallel do meet;
40 Yet seeming of a more exalted Race,
41 Tho' humble Meekness beautify'd his Face:
42 A purring Sound compos'd his gentle Mind,
43 Whilst frequent Slumbers did his Eye-lids bind;
44 Whose soft, contracted Paw lay calmly still,
45 As if unus'd to prejudice, or kill.
[Page 129]46 I paus'd a while, to meditate a Speech,
47 And now was stepping just within his reach;
48 When that rude Clown began his hect'ring Cry,
49 And made me for my Life, and from th' Attempt to fly.
50 Indeed 'twas Time, the shiv'ring Beldame said,
51 To scour the Plain, and be of Life afraid.
52 Thou base, degen'rate Seed of injur'd Rats,
53 Thou veriest Fool (she cry'd) of all my Brats;
54 Woud'st thou have shaken Hands with hostile Cats,
55 And dost not yet thine Own, and Country's Foe,
56 At this expence of Time, and Travel know?
57 Alas! that swearing, staring, bullying Thing,
58 That tore his Throat, and bluster'd with his Wing,
59 Was but some paltry, Dunghill, Craven Cock,
60 Who serves the early Houshold for a Clock.
61 And We his Oats, and Barley often steal,
62 Nor sear, he shou'd revenge the pilfer'd Meal:
63 Whilst that demure, and seeming harmless Puss
64 Herself, and mewing Chits regales with Us.
[Page 130]65 If then, of useful Sense thou'st gain'd no more,
66 Than ere thou'dst past the Threshold of my Door;
67 Be here, my Son, content to Dress and Dine,
68 Steeping the List of Beauties in thy Wine,
69 And neighb'ring Vermin with false Gloss outshine
70 Amongst Mankind a Thousand Fops we see,
71 Who in their Rambles learn no more than Thee;
72 Cross o'er the Alpes, and make the Tour of France,
73 To learn a paltry Song, or antick Dance;
74 Bringing their Noddles, and Valizes pack'd
75 With Mysteries, from Shops and Taylors wreck'd
76 But what may prejudice their Native Land;
77 Whose Troops are raising, or whose Fleet is mann'd,
78 Ne'er moves their Thoughts, nor do they understand
79 Thou, my dear Rattlehead, and such as These
80 Might keep at home, and brood on Sloth and Ease:
[Page 131]81 Whilst Others, more adapted to the Age,
82 May vig'rously in Warlike Feats engage,
83 And live on foreign Spoils, or dying thin the Stage.
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About this text
Themes:
manners
Genres:
heroic couplet; fable
References:
DMI 23851
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Source edition
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720. Miscellany poems, on several occasions: Written by the Right Honble Anne, Countess of Winchilsea. London: printed for J. B. and sold by Benj. Tooke, William Taylor, and James Round, 1713, pp. 126-131. [8],390p. ; 8⁰. (ESTC T94539; Foxon pp. 274-5; OTA K076314.000) (Page images digitized from a copy in the Bodleian Library [Buxton 100].)
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The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Anne Finch (née Kingsmill), countess of Winchilsea
- ADAM Pos'd. ()
- ALCIDOR. ()
- All is Vanity. ()
- The ATHEIST and the ACORN. ()
- The Battle between the Rats and the Weazles. ()
- The Brass-Pot, and Stone-Jugg. A FABLE. ()
- The CAUTIOUS LOVERS. ()
- The CHANGE. ()
- The Critick and the Writer of FABLE ()
- Cupid and Folly. Imitated from the FRENCH. ()
- The Decision of Fortune. A FABLE. ()
- Democritus and his Neighbours. Imitated from Fontaine. ()
- A Description of One of the Pieces of Tapistry at Long-Leat, made after the famous Cartons of Raphael; in which, Elymas the Sorcerer is miraculously struck Blind by St. Paul before Sergius Paulus, the Proconsul of Asia. Inscribed to the Honble HENRY THYNNE, under the Name of THEANOR. ()
- The DOG and his MASTER. ()
- The Eagle, the Sow, and the Cat. ()
- Enquiry after Peace. A Fragment. ()
- An EPISTLE from a Gentleman to Madam Deshouliers, returning Money she had lent him at Bassette, upon the first Day of their Acquaintance. Translated with Liberty from the French. ()
- An EPISTLE from Alexander to Hephaestion in his Sickness. ()
- The EQUIPAGE. Written Originally in FRENCH by L'Abbé Reigner. ()
- The EXECUTOR. ()
- Fanscomb Barn. In Imitation of MILTON. ()
- The following Lines occasion'd by the Marriage of Edward Herbert Esquire, and Mrs. Elizabeth Herbert. ()
- For the Better. Imitated from Sir Roger L'Estrange. ()
- Fragment at Tunbridge-Wells. ()
- FRAGMENT. ()
- Friendship between EPHELIA and ARDELIA. ()
- GLASS. ()
- The Hog, the Sheep, and Goat carrying to a FAIR. ()
- HOPE. ()
- The House of Socrates. ()
- The HYMN. ()
- JEALOUSY. A SONG. ()
- Jupiter and the Farmer. ()
- The King and the Shepherd. Imitated from the French. ()
- La Passion Vaincue. Done into English with Liberty. ()
- A LETTER to the same Person. ()
- LIFE's Progress. ()
- The LORD and the BRAMBLE ()
- Love, Death, and Reputation. ()
- The LYON and the GNAT. ()
- The MAN and his HORSE. ()
- The Man bitten by Fleas. ()
- Man's Injustice towards Providence. ()
- MERCURY and the ELEPHANT. A Prefatory FABLE. ()
- A Miller, his Son, and their Ass. A FABLE Translated from Monsieur de la Fontaine. ()
- Moral SONG. ()
- THE Mussulman's Dream OF THE VIZIER and DERVIS. ()
- A Nocturnal Reverie. ()
- On the Death of the Honourable Mr. James Thynne, younger Son to the Right Honourable the Lord Viscount Weymouth. ()
- The Owl Describing her Young Ones. ()
- Part of the Fifth Scene in the Second Act of Athalia, a Tragedy, written in French by Monsieur Racine. ()
- A Pastoral DIALOGUE between Two Shepherdesses. ()
- The Petition for an Absolute Retreat. Inscribed to the Right Honble CATHARINE Countess of THANET, mention'd in the Poem under the Name of ARMINDA. ()
- The Philosopher, the Young Man, and his Statue. ()
- The PHOENIX. A SONG. ()
- A Pindarick Poem Upon the Hurricane in November 1703, referring to this Text in Psalm 148. ver. 8. Winds and Storms fulfilling his Word. ()
- A POEM for the Birth-day of the Right Honble the Lady CATHARINE TUFTON. Occasion'd by sight of some Verses upon that Subject for the preceding Year, compos'd by no Eminent Hand. ()
- The Poor Man's Lamb: OR, Nathan's Parable to David after the Murder of Uriah, and his Marriage with Bathsheba. Turn'd into Verse and Paraphras'd. ()
- The Prevalence of Custom. ()
- PSALM the 137th, Paraphras'd to the 7th Verse. ()
- REFORMATION. ()
- The Shepherd and the Calm. ()
- The Shepherd Piping to the Fishes. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- The SPLEEN. A Pindarick Poem. ()
- A Tale of the Miser, and the Poet. Written about the Year 1709. ()
- [Tasso, Aminta:] AMINTOR, being ask'd by THIRSIS Who is the Object of his Love? speaks as follows. ()
- [Tasso, Aminta:] Daphne's Answer to Sylvia, declaring she should esteem all as Enemies, who should talk to her of LOVE. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. Part of the Description of the Golden Age. ()
- [Tasso, Aminta:] THIRSIS persuades AMINTOR not to despair upon the Predictions of Mopsus discov'ring him to be an Impostor. ()
- There's No To-Morrow, A FABLE imitated from Sir Roger L'Estrange. ()
- To a Friend, in Praise of the Invention of Writing Letters. ()
- To DEATH. ()
- To Edward Jenkinson, Esq a very young Gentleman, who writ a Poem on PEACE. ()
- To Mr. F. now Earl of W. Who going abroad, had desired ARDELIA to write some Verses upon whatever Subject she thought fit, against his Return in the Evening. ()
- To the NIGHTINGALE. ()
- To the Painter of an ill-drawn Picture of CLEONE, the Honorable Mrs. Thynne. ()
- The Tradesman and the Scholar. ()
- The TREE. ()
- VERSES Written under the King of Sweden's Picture. ()
- The Wit and the Beau. ()