[Page 29]
Love, Death, and Reputation.
1 REputation, Love, and Death,
2 (The Last all Bones, the First all Breath,
3 The Midd'st compos'd of restless Fire)
4 From each other wou'd Retire;
5 Thro' the World resolv'd to stray,
6 Every One a several Way;
7 Exercising, as they went,
8 Each such Power, as Fate had lent;
9 Which, if it united were,
10 Wretched Mortals cou'd not bear:
11 But as parting Friends do show,
12 To what Place they mean to go,
13 Correspondence to engage,
14 Nominate their utmost Stage;
[Page 30]15 Death declar'd, he wou'd be found
16 Near the fatal Trumpet's sound;
17 Or where Pestilences reign,
18 And Quacks the greater Plagues maintain;
19 Shaking still his sandy Glass,
20 And mowing Human Flesh, like Grass.
21 Love, as next his Leave he took,
22 Cast on both so sweet a Look,
23 As their Tempers near disarm'd,
24 One relax'd, and t'other warm'd;
25 Shades for his Retreat he chose,
26 Rural Plains, and soft Repose;
27 Where no Dowry e'er was paid,
28 Where no Jointure e'er was made;
29 No Ill Tongue the Nymph perplex'd,
30 Where no Forms the Shepherd vex'd;
31 Where Himself shou'd be the Care,
32 Of the Fond and of the Fair:
33 Where that was, they soon shou'd know,
34 Au Revoir! then turn'd to Go.
[Page 31]35 Reputation made a Pause,
36 Suiting her severer Laws;
37 Second Thoughts, and Third she us'd,
38 Weighing Consequences mus'd;
39 When, at length to both she cry'd:
40 You Two safely may Divide,
41 To th' Antipodes may fall,
42 And re-ascend th' encompast Ball;
43 Certain still to meet agen
44 In the Breasts of tortur'd Men;
45 Who by One (too far) betray'd,
46 Call in t'other to their Aid:
47 Whilst I Tender, Coy, and Nice,
48 Rais'd and ruin'd in a Trice,
49 Either six with those I grace;
50 Or abandoning the Place,
51 No Return my Nature bears,
52 From green Youth, or hoary Hairs;
53 If thro' Guilt, or Chance, I sever,
54 I once Parting, Part for ever.
About this text
Themes:
love; fame; death
Genres:
fable
References:
DMI 23854
Text view / Document view
Source edition
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720. Miscellany poems, on several occasions: Written by the Right Honble Anne, Countess of Winchilsea. London: printed for J. B. and sold by Benj. Tooke, William Taylor, and James Round, 1713, pp. 29-31. [8],390p. ; 8⁰. (ESTC T94539; Foxon pp. 274-5; OTA K076314.000) (Page images digitized from a copy in the Bodleian Library [Buxton 100].)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Anne Finch (née Kingsmill), countess of Winchilsea
- ADAM Pos'd. ()
- ALCIDOR. ()
- All is Vanity. ()
- The ATHEIST and the ACORN. ()
- The Battle between the Rats and the Weazles. ()
- The Brass-Pot, and Stone-Jugg. A FABLE. ()
- The CAUTIOUS LOVERS. ()
- The CHANGE. ()
- The Critick and the Writer of FABLE ()
- Cupid and Folly. Imitated from the FRENCH. ()
- The Decision of Fortune. A FABLE. ()
- Democritus and his Neighbours. Imitated from Fontaine. ()
- A Description of One of the Pieces of Tapistry at Long-Leat, made after the famous Cartons of Raphael; in which, Elymas the Sorcerer is miraculously struck Blind by St. Paul before Sergius Paulus, the Proconsul of Asia. Inscribed to the Honble HENRY THYNNE, under the Name of THEANOR. ()
- The DOG and his MASTER. ()
- The Eagle, the Sow, and the Cat. ()
- Enquiry after Peace. A Fragment. ()
- An EPISTLE from a Gentleman to Madam Deshouliers, returning Money she had lent him at Bassette, upon the first Day of their Acquaintance. Translated with Liberty from the French. ()
- An EPISTLE from Alexander to Hephaestion in his Sickness. ()
- The EQUIPAGE. Written Originally in FRENCH by L'Abbé Reigner. ()
- The EXECUTOR. ()
- Fanscomb Barn. In Imitation of MILTON. ()
- The following Lines occasion'd by the Marriage of Edward Herbert Esquire, and Mrs. Elizabeth Herbert. ()
- For the Better. Imitated from Sir Roger L'Estrange. ()
- Fragment at Tunbridge-Wells. ()
- FRAGMENT. ()
- Friendship between EPHELIA and ARDELIA. ()
- GLASS. ()
- The Hog, the Sheep, and Goat carrying to a FAIR. ()
- HOPE. ()
- The House of Socrates. ()
- The HYMN. ()
- JEALOUSY. A SONG. ()
- Jupiter and the Farmer. ()
- The King and the Shepherd. Imitated from the French. ()
- La Passion Vaincue. Done into English with Liberty. ()
- A LETTER to the same Person. ()
- LIFE's Progress. ()
- The LORD and the BRAMBLE ()
- The LYON and the GNAT. ()
- The MAN and his HORSE. ()
- The Man bitten by Fleas. ()
- Man's Injustice towards Providence. ()
- MERCURY and the ELEPHANT. A Prefatory FABLE. ()
- A Miller, his Son, and their Ass. A FABLE Translated from Monsieur de la Fontaine. ()
- Moral SONG. ()
- THE Mussulman's Dream OF THE VIZIER and DERVIS. ()
- A Nocturnal Reverie. ()
- On the Death of the Honourable Mr. James Thynne, younger Son to the Right Honourable the Lord Viscount Weymouth. ()
- The Owl Describing her Young Ones. ()
- Part of the Fifth Scene in the Second Act of Athalia, a Tragedy, written in French by Monsieur Racine. ()
- A Pastoral DIALOGUE between Two Shepherdesses. ()
- The Petition for an Absolute Retreat. Inscribed to the Right Honble CATHARINE Countess of THANET, mention'd in the Poem under the Name of ARMINDA. ()
- The Philosopher, the Young Man, and his Statue. ()
- The PHOENIX. A SONG. ()
- A Pindarick Poem Upon the Hurricane in November 1703, referring to this Text in Psalm 148. ver. 8. Winds and Storms fulfilling his Word. ()
- A POEM for the Birth-day of the Right Honble the Lady CATHARINE TUFTON. Occasion'd by sight of some Verses upon that Subject for the preceding Year, compos'd by no Eminent Hand. ()
- The Poor Man's Lamb: OR, Nathan's Parable to David after the Murder of Uriah, and his Marriage with Bathsheba. Turn'd into Verse and Paraphras'd. ()
- The Prevalence of Custom. ()
- PSALM the 137th, Paraphras'd to the 7th Verse. ()
- REFORMATION. ()
- The Shepherd and the Calm. ()
- The Shepherd Piping to the Fishes. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- A SONG. ()
- The SPLEEN. A Pindarick Poem. ()
- A Tale of the Miser, and the Poet. Written about the Year 1709. ()
- [Tasso, Aminta:] AMINTOR, being ask'd by THIRSIS Who is the Object of his Love? speaks as follows. ()
- [Tasso, Aminta:] Daphne's Answer to Sylvia, declaring she should esteem all as Enemies, who should talk to her of LOVE. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. ()
- [Tasso, Aminta:] From the AMINTA of TASSO. Part of the Description of the Golden Age. ()
- [Tasso, Aminta:] THIRSIS persuades AMINTOR not to despair upon the Predictions of Mopsus discov'ring him to be an Impostor. ()
- There's No To-Morrow, A FABLE imitated from Sir Roger L'Estrange. ()
- To a Friend, in Praise of the Invention of Writing Letters. ()
- To DEATH. ()
- To Edward Jenkinson, Esq a very young Gentleman, who writ a Poem on PEACE. ()
- To Mr. F. now Earl of W. Who going abroad, had desired ARDELIA to write some Verses upon whatever Subject she thought fit, against his Return in the Evening. ()
- To the NIGHTINGALE. ()
- To the Painter of an ill-drawn Picture of CLEONE, the Honorable Mrs. Thynne. ()
- The Tradesman and the Scholar. ()
- The TREE. ()
- VERSES Written under the King of Sweden's Picture. ()
- The Wit and the Beau. ()
- The Young RAT and his DAM, the COCK and the CAT. ()