[Page 273]



1 'TWAS when the Sun had his swift Progress made,
2 And left his Empire to the Queen of Shade;
3 Bright Cynthia too, with her refulgent Train,
4 Shot their pale Lustre o'er the dewy Plain:
5 Sat lonely Mira with her Head reclin'd,
6 And mourn'd the Sorrows of her helpless Kind:
[Page 274]
7 Then to her Fancy Celia's Woes appear,
8 The Nymph, whose Tale deserves a pitying Tear;
9 Whose early Beauties met a swift Decay;
10 A Rose that faded at the rising Day,
11 While Grief and Shame oppress'd her tender Age,
12 Pursu'd by Famine and a Father's Rage;
13 Till too much Thought the aking Heart oppress'd.
14 And Mira's Eye-lids clos'd in silent Rest:
15 Then active Fancy, with her airy Train,
16 Compos'd the Substance of the ensuing Dream.
17 In a black Shade my wand'ring Self I found,
18 A Wood encircl'd by a thorny Bound;
19 Where Oaks up-rais'd their kingly Heads on high,
20 And the pleas'd Linnets thro' the Branches fly:
21 There lofty Elms the wond'ring Skies invade,
22 And the dark Cypress cast a browner Shade:
23 Grave Laurels there the humbler Shrubs o'erlook;
24 There the pale Ash, and there the Poplar shook;
25 Here pliant Elder whom her Fruits adorn,
26 And the brown Hasel wove with shagged Thorn:
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27 Rude Briers there their clasping Tendrels twine,
28 Whose rugged Arms with useless Roses shine.
29 Beyond the Confines of the dusky Brake,
30 A Plain was bounded with a putrid Lake,
31 Where Planks of Timber stretch'd on mould'ring Beams,
32 Form'd a weak Passage o'er the standing Streams,
33 Whose slimy Waters to its Arches clung,
34 Where wrap'd in Weeds the clodded Vermin hung,
35 On this brown Plain surrounded by the Wood,
36 And the green Lake an aged Castle stood;
37 Whose iron Gates were strictly shut to all,
38 And frowning Roofs hung o'er the crumbling Wall:
39 Here perch'd Revenge and ever-wasting Care,
40 And Melancholy with dishivel'd Hair.
41 Before the Portals wait a grisly Band,
42 Fraud with a Pencil in her shaking Hand:
43 Long Scrolls of Parchment at her Feet were laid,
44 Behind her Shoulder stood her ghastly Maid:
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45 Oppreffion nam'd and stretch'd her filthy Claw,
46 And next pale Av'rice with insatiate Maw;
47 Two cumbrous Bags his twining Arms infold,
48 Of canker'd Silver and of useless Gold:
49 Grimly he stands, and by his Side appears
50 Fierce Cruelty, all drench'd in Orphans Tears;
51 Within (attended by relentless Hate)
52 Suspicion squinted through the barbarous Grate:
53 To these rude Doors approach'd with bashful Mien,
54 Soft Celia once the brightest of the Plain,
55 But now the Roses from her Cheeks were flown,
56 Nor cou'd the Fair One by her Charms be known;
57 Those Charms are now in sable Weeds array'd,
58 Her Arm supported by a mournful Maid:
59 From her wan Eyes the Tears incessant flow,
60 And all her Form was Penitence and Woe.
61 But see Lysegus, her relentless Sire,
62 Whose Eye-balls sparkl'd with disdainful Ire;
63 His potent Hand the sounding Locks obey,
64 With grating Noise the horrid Gates gave way:
65 Then prostrate at his Feet the Damsel lay.
[Page 277]
66 Three times to speak the lovely Mourner try'd;
67 Thrice on her Lips the fainting Murmurs dy'd;
68 Sigh follows Sigh, and Tear succeeds to Tear:
69 At length she cry'd Ah! may Lysegus hear;
70 If Nature or if Penitence may sue,
71 Ah! let my Sorrows find Relief from you;
72 The nightly Stars my constant Wailings know,
73 The rising Sun is Witness to my Woe:
74 But who shall paint what wretched Celia feels,
75 While Shame and Famine hunt her flying Heels:
76 The Fools deride me, and the virtuous shun,
77 Then to the Fields and lonely Shades I run;
78 Yet find no Comfort from the lonely Shade,
79 At my Approach the Blossoms seem to fade:
80 I fly to Wilds unknown to human Kind,
81 But cannot leave my hated Self behind;
82 And am Oh am I by my Parent curs'd;
83 Of all my Woes the deepest and the worst:
84 She said Lysegus answer'd in a Rage,
85 Hence vile Disturber of my luckless Age:
86 Think not by Tears this stubborn Heart to win,
87 Nor jar my Senses with thy hateful Din:
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88 Go learn of Vagrants (fit Companions) go,
89 Their Arts of Stealing and their Whine of Woe.
90 Yet when before the Gate of Pride you stand,
91 And crave your Morsel at the Porter's Hand;
92 May some stern Slave prevent the coming Prize,
93 Thrown to the Dogs before thy longing Eyes:
94 He ceas'd but Celia views no more the Sun,
95 For now her Sorrow with her Life was done:
96 Her Eyes no more afford their lucid Streams,
97 Nor the Pulse struggles in her quiet Veins.
98 The Tyrant view'd her with a ghastly Look,
99 His Heart beat heavy, and his Sinews shook;
100 When lo a Spectre horrible to view,
101 Rose quick as Vapours of a Morning Dew;
102 Whose Presence cast unpleasing Darkness round,
103 A Cypress Wreath his faded Temples crown'd:
104 Strange Forms were painted on his sable Robe,
105 One Hand extended bore a crystal Globe;
106 Where the pale Sinner might his Picture find,
107 Yet not his Features, but his darker Mind:
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108 In vain to shun the faithful Glass he tries,
109 It plays unask'd before his aking Eyes:
110 His quick left Hand with this perform'd its Part,
111 His Right was dreadful with a poison'd Dart:
112 Then with a loud and horrid Voice he cry'd,
113 Lysegus, mourn thy Cruelty and Pride:
114 From the fair Court of Equity I came,
115 Call'd by thy Sins, and Conscience is my Name:
116 This venom'd Dart shall now thy Entrails tear,
117 And teach thy Eyes to know the melting Tear:
118 Prepare thy Spirits for their Weight of Woe,
119 With Celia's Name I arm the dreadful Blow:
120 He said and struck the visionary Dart
121 Sought the dark Bottom of Lysegus' Heart:
122 He fell and falling rais'd a fearful Cry;
123 Then Mira 'woke, and found the Morning Sky.


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Title (in Source Edition): The CRUEL PARENT. A DREAM.
Author: Mary Leapor
Themes: visions; parents; children
Genres: heroic couplet; dream vision
References: DMI 23756

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Source edition

Leapor, Mrs. (Mary), 1722-1746. Poems upon several occasions: By Mrs. Leapor of Brackley in Northamptonshire. London: printed: and sold by J. Roberts, 1748, pp. 273-279. 15,[5],282p. ; 8⁰. (ESTC T127827; Foxon p. 413; OTA K101776.000) (Page images digitized from a copy at University of California Libraries.)

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The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.

Other works by Mary Leapor