[Page 48]
The FALL of LUCIA.
1 LUCIA was fair and bright as rising Day,
2 Sweet as Arabia, or the Buds of May;
3 Fresh as the Winds that sweep the dewy Hills,
4 Or Beds of Roses wash'd by healthy Rills:
5 Whose Soul was softer than a trembling Dove,
6 Nor knew a Failing till she learn'd to love.
7 Nor Fraud nor Scandal to her Lips were known,
8 And thought each Bosom guiltless as her own.
9 Thus only arm'd with Innocence and Smiles,
10 She fell the Victim of a Tyrant's Wiles.
11 So lost from Shepherd and its mourning Dam,
12 Through some lone Desart roves a stragg'ling Lamb;
13 No Danger fears, but as he idly strays
14 Round ev'ry Bush the heedless Wanton plays;
15 Till raging Wolves the beauteous Toy surround,
16 Or foaming Tigers rend the mossy Ground:
17 Then from his Heart the guiltless Purple flows,
18 A grateful Morsel to his hungry Foes:
[Page 49]19 Thus wrap'd in Sorrows wretched Lucia lies,
20 Whose Sighs still answer to her streaming Eyes.
21 And Damon still — Ah! faithless Damon cries,
22 No more those Lips like dewy Roses glow;
23 Her weary Lids no peaceful Slumbers know:
24 But left to strike her pensive Breast in vain,
25 And curse the Author of her lasting Pain.
26 Her Soul of Ease has took its long Adieu:
27 Hear this, ye Nymphs; but hear and tremble too,
28 Ye Fair that lanch in Pleasure's tempting Sea,
29 Though Fortune crowns you with a calmer Day,
30 And Joy's soft Gale salutes your nimble Oar:
31 Where Lucia's Fame was shipwreck'd on the Shore,
32 Yet let Reflexion mark your gliding Days,
33 Nor drink too deeply in the Draught of Praise:
34 For Flatt'ry is — "So say the learned Schools,
35 "The Bane of Virgins and the Bait of Fools. "
36 How happy she whose purer Spirit knows,
37 No Thought less harmless than a Saint's Repose,
38 Whose guiltless Charms pursue no greater End,
39 But to rejoice a Parent or a Friend:
[Page 50]40 Whose Care it is her Passions to control,
41 And keep the Steerage of a quiet Soul:
42 Then this shall grace her monumental Page,
43 "In Youth admir'd, and belov'd in Age. "
About this text
Author: Mary Leapor
Themes:
sex; relations between the sexes; female character; virtue; vice
Genres:
heroic couplet
References:
DMI 23736
Text view / Document view
Source edition
Leapor, Mrs. (Mary), 1722-1746. Poems upon several occasions: By Mrs. Leapor of Brackley in Northamptonshire. London: printed: and sold by J. Roberts, 1748, pp. 48-50. 15,[5],282p. ; 8⁰. (ESTC T127827; Foxon p. 413; OTA K101776.000) (Page images digitized from a copy at University of California Libraries.)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Mary Leapor
- ADVICE to MYRTILLO. ()
- The APPARITION. ()
- The BEAUTIES of the SPRING. ()
- CATHARINA's CAVE. ()
- CELADON to MIRA. ()
- The CHARMS of ANTHONY. ()
- COLINETTA. ()
- The CRUCIFIXION and RESURRECTION. An ODE. ()
- The CRUEL PARENT. A DREAM. ()
- DAMON and STREPHON. A Pastoral Complaint. ()
- DAVID'S Complaint, ii Samuel, chap. 1. ()
- The DEATH of ABEL. ()
- DORINDA at her Glass. ()
- The ENQUIRY. ()
- An EPISTLE to a LADY. ()
- An EPITAPH. ()
- An EPITAPH. ()
- ESSAY on FRIENDSHIP. ()
- ESSAY on HAPPINESS. ()
- An ESSAY on HOPE. ()
- The FIELDS of MELANCHOLY and CHEARFULNESS. ()
- FLORIMELIA, the First PASTORAL. ()
- FLORIMELIA, the Second PASTORAL. ()
- The FOX and the HEN. A FABLE. ()
- The FRIEND in Disgrace. A DIALOGUE. ()
- The GENIUS in DISGUISE. ()
- The HEAD-ACH. To AURELIA. ()
- An HYMN to the MORNING. ()
- The INSPIR'D QUILL. Occasion'd by a Present of CROW-PENS. ()
- JOB'S CURSE, and his APPEAL. Taken out of Job, Chap. i, and xxxi. ()
- The LIBYAN HUNTER, a FABLE. Inscrib'd to the Memory of a late admir'd Author. ()
- The LINNET and the GOLDFINCH. ()
- MIRA to OCTAVIA. ()
- MIRA's WILL. ()
- The MISTAKEN LOVER. ()
- The MONTH of AUGUST. ()
- The MORAL VISION. ()
- An ODE on MERCY: In Imitation of Part of the 145th Psalm. ()
- On DISCONTENT. To STELLA. ()
- On Mr. POPE's Universal PRAYER. ()
- On SICKNESS. ()
- On the Death of a justly admir'd AUTHOR. ()
- On WINTER. ()
- The PENITENT. Occasion'd by the Author's being asked if she would take Ten Pounds for her Poems. ()
- The POWER of BEAUTY. ()
- A PRAYER for the YEAR, 1745. ()
- The Proclamation of APOLLO. ()
- The PROPOSAL. ()
- PROSERPINE'S RAGOUT. ()
- The QUESTION. Occasion'd by a serious Admonition. ()
- A REQUEST to the DIVINE BEING. ()
- The RIVAL BROTHERS. ()
- The SACRIFICE. An EPISTLE to CELIA. ()
- The SETTING SUN. To SILVIA. ()
- SILVIA and the BEE. ()
- SONG to CLOE, playing on her Spinet. ()
- SOTO. A CHARACTER. ()
- The SOW and the PEACOCK. A FABLE. ()
- STEPHON to CELIA. A modern LOVE-LETTER. ()
- A SUMMER'S WISH. ()
- The TALE of CUSHI. From II. Samuel, Chap. xviii. ()
- The TEMPLE of LOVE. ()
- The TEN-PENNY NAIL. ()
- The Third Chapter of the Wisdom of SOLOMON. From the First to the Sixth Verse. ()
- To a Gentleman with a Manuscript Play. ()
- To ARTEMISIA. Dr. KING's Invitation to BELLVILL: Imitated. ()
- To GRAMMATICUS. ()
- The UNIVERSAL DREAM. ()
- The WAY of the WORLD. ()