[Page 249]
The CHARMS of ANTHONY.
1 YE Swains, attend; let ev'ry Nymph be near;
2 Be still, ye Rivers, that the Swains may hear:
3 Ye Winds, be calm, and brush with softer Wing;
4 We mean the Charms of Anthony to sing;
5 See all around the list'ning Shepherds throng;
6 O help, ye Sisters of immortal Song.
LUCY.
7 Sing, Phebe, sing what Shepherd rules the Plain,
8 Young Colin's Envy, and Aminda's Pain:
9 Whom none can rival when he mows the Field,
10 And to whose Flute the Nightingale must yield.
PHEBE.
11 'Tis Anthony — 'tis he deserves the Lay,
12 As mild as Ev'ning, and as Morning gay;
[Page 250]13 Not the fresh Blooms on yonder Codling-tree,
14 Nor the white Hawthorn half so fair as he;
15 Nor the young Daisy dress'd in Morning Dew;
16 Nor the Pea Blossom wears a brighter Hue.
LUCY.
17 None knows like him to strew the wheaten Grain,
18 Or drive the Plough-share o'er the fertile Plain;
19 To raise the Sheaves, or reap the waving Corn,
20 Or mow brown Stubble in the early Morn.
PHEBE.
21 How mild the Youth, when on a sultry Day
22 In yonder Vale we turn'd the fragrant Hay:
23 How on his Voice the list'ning Shepherds hung,
24 Not tuneful Stella half so sweetly sung.
LUCY.
25 Whether he binds the Sheaf in twisted Band,
26 Or turns the Pitch-fork on his nimble Hand;
27 He's sure to win a Glance from ev'ry Eye,
28 While clumsy Colin stands neglected by.
PHEBE.
29 His curling Locks by far more lovely shew,
30 Than the white Wig on Squire Fopling's Brow;
[Page 251]31 And when the Shepherd on a rainy Day,
32 Weaves for his Hat a Wisp of flow'ry Hay,
33 The scarlet Feather not so gay appears,
34 Which on his Crown Sir Ambrose Fino wears.
LUCY.
35 For Anthony Meriah leaves her Cow,
36 And stands to gape at him upon the Mow:
37 While he (for who but must that Wench despise?)
38 Throws Straws and Cobwebs on her staring Eyes.
PHEBE.
39 To the Back-door I saw proud Lydia hie,
40 To see the Team with Anthony go by;
41 He slily laugh'd, and turn'd him from the Door,
42 I thought the Damsel would have spoke no more.
LUCY.
43 Me once he met, 'twas when from yonder Vale,
44 Each Morn I brought the heavy milking Pail:
45 He took it from my Head, and with a Smile
46 Reach'd out his Hand, and help'd me o'er the Stile.
PHEBE.
47 As I was dancing late amongst the Crew,
48 A yellow Pippin o'er my Head he threw:
[Page 252]49 Sue bit her Lips, and Barbaretta frown'd;
50 And Phillis look'd as tho' she wou'd have swoon'd.
51 Thus sung the Maids till Colinet came by,
52 And Rodrigo from weeding of the Rye;
53 Each took his Lass, and sped 'em to the Town,
54 To drink cool Cider at the Hare and Hound:
55 The Damsels simper like the sparkling Beer,
56 And Colin shines till Anthony is near.
About this text
Author: Mary Leapor
Themes:
Genres:
heroic couplet; dialogue
Text view / Document view
Source edition
Leapor, Mrs. (Mary), 1722-1746. Poems upon several occasions: By Mrs. Leapor of Brackley in Northamptonshire. London: printed: and sold by J. Roberts, 1748, pp. 249-252. 15,[5],282p. ; 8⁰. (ESTC T127827; Foxon p. 413; OTA K101776.000) (Page images digitized from a copy at University of California Libraries.)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Mary Leapor
- ADVICE to MYRTILLO. ()
- The APPARITION. ()
- The BEAUTIES of the SPRING. ()
- CATHARINA's CAVE. ()
- CELADON to MIRA. ()
- COLINETTA. ()
- The CRUCIFIXION and RESURRECTION. An ODE. ()
- The CRUEL PARENT. A DREAM. ()
- DAMON and STREPHON. A Pastoral Complaint. ()
- DAVID'S Complaint, ii Samuel, chap. 1. ()
- The DEATH of ABEL. ()
- DORINDA at her Glass. ()
- The ENQUIRY. ()
- An EPISTLE to a LADY. ()
- An EPITAPH. ()
- An EPITAPH. ()
- ESSAY on FRIENDSHIP. ()
- ESSAY on HAPPINESS. ()
- An ESSAY on HOPE. ()
- The FALL of LUCIA. ()
- The FIELDS of MELANCHOLY and CHEARFULNESS. ()
- FLORIMELIA, the First PASTORAL. ()
- FLORIMELIA, the Second PASTORAL. ()
- The FOX and the HEN. A FABLE. ()
- The FRIEND in Disgrace. A DIALOGUE. ()
- The GENIUS in DISGUISE. ()
- The HEAD-ACH. To AURELIA. ()
- An HYMN to the MORNING. ()
- The INSPIR'D QUILL. Occasion'd by a Present of CROW-PENS. ()
- JOB'S CURSE, and his APPEAL. Taken out of Job, Chap. i, and xxxi. ()
- The LIBYAN HUNTER, a FABLE. Inscrib'd to the Memory of a late admir'd Author. ()
- The LINNET and the GOLDFINCH. ()
- MIRA to OCTAVIA. ()
- MIRA's WILL. ()
- The MISTAKEN LOVER. ()
- The MONTH of AUGUST. ()
- The MORAL VISION. ()
- An ODE on MERCY: In Imitation of Part of the 145th Psalm. ()
- On DISCONTENT. To STELLA. ()
- On Mr. POPE's Universal PRAYER. ()
- On SICKNESS. ()
- On the Death of a justly admir'd AUTHOR. ()
- On WINTER. ()
- The PENITENT. Occasion'd by the Author's being asked if she would take Ten Pounds for her Poems. ()
- The POWER of BEAUTY. ()
- A PRAYER for the YEAR, 1745. ()
- The Proclamation of APOLLO. ()
- The PROPOSAL. ()
- PROSERPINE'S RAGOUT. ()
- The QUESTION. Occasion'd by a serious Admonition. ()
- A REQUEST to the DIVINE BEING. ()
- The RIVAL BROTHERS. ()
- The SACRIFICE. An EPISTLE to CELIA. ()
- The SETTING SUN. To SILVIA. ()
- SILVIA and the BEE. ()
- SONG to CLOE, playing on her Spinet. ()
- SOTO. A CHARACTER. ()
- The SOW and the PEACOCK. A FABLE. ()
- STEPHON to CELIA. A modern LOVE-LETTER. ()
- A SUMMER'S WISH. ()
- The TALE of CUSHI. From II. Samuel, Chap. xviii. ()
- The TEMPLE of LOVE. ()
- The TEN-PENNY NAIL. ()
- The Third Chapter of the Wisdom of SOLOMON. From the First to the Sixth Verse. ()
- To a Gentleman with a Manuscript Play. ()
- To ARTEMISIA. Dr. KING's Invitation to BELLVILL: Imitated. ()
- To GRAMMATICUS. ()
- The UNIVERSAL DREAM. ()
- The WAY of the WORLD. ()