[Page 147][Page 148]
VERSES TO OUR OWN FLOWERY KIRTLED SPRING.
1 WELCOME, sweet time of buds and bloom, renewing
2 The earliest objects of delight, and wooing
3 The notice of the grateful heart! for then
4 Long-hidden, beauteous friends are seen again;
5 From the cleft soil, like babes from cradle peeping,
6 At the glad light, where soundly they've been sleeping;
7 Like chickens in their downy coats, just freeing
8 From the chipp'd shell, their new-found active being;
9 Like spotted butterfly, its wings up-rearing,
10 Half from the bursting chrysalis appearing.
11 Sweet season, so bedight, so gay, so kind,
12 Right welcome to the sight and to the mind!
13 Now many a "thing that pretty is" delays
14 The wanderer's steps beneath the sun's soft rays.
15 Gay daffodils, bent o'er the watery gleam,
16 Doubling their flickered image in the stream;
17 The woody nook where bells of brighter blue
18 Have clothed the ground in heaven's etherial hue;
19 The lane's high sloping bank, where pale primrose
20 With hundreds of its gentle kindred blows;
21 And speckled daisies that on uplands bare
22 Their round eyes opening, scatter gladness there.
23 Man looks on nature with a grateful smile,
24 And thinks of Nature's bounteous Lord the while.
25 Now urchins range the brake in joyous bands,
26 With new-called nosegays in their dimpled hands.
27 The cottage maid her household task-work cheats
28 In mead or glen to pick the choicest sweets,
29 With skilful care preserved for Sunday morn,
30 Her bosom's simple kerchief to adorn.
31 And even the beldame, as with sober tread,
32 She takes her sunning in the grassy mead,
[Page 149]33 Stoops down with eager look and finds, well pleased,
34 Such herbs, as in a chest or bible squeezed,
35 In former days were deemed, by folks of sense,
36 A fragrant wholesome virtue to dispense,
37 And oft on raftered roof, in bunches strung,
38 With other winter stores were duly hung.
39 But not alone in simple scenes like these,
40 Thy beauteous offspring our soothed senses please;
41 I' the city's busy streets, by rich men's doors,
42 On whose white steps the flower-girl sets her stores,
43 In wicker basket grouped to lure the sight,
44 They stop and tempt full many a wistful wight.
45 Flowers though they be by artful culture bred,
46 Upon the suburb-seedsman's crowded bed,
47 By fetid manure cherished, gorgeous, bright,
48 Like civic madams dressed for festive night, —
49 Anemonies of crimson, purple, yellow,
50 And tulips streaked with colours rich and mellow,
51 Brown wallflowers and jonquils of golden glare,
52 In dapper posies tied like shop-man's ware,
[Page 150]53 Yet still they whisper something to the heart,
54 Which feelings kind and gentle thoughts impart.
55 Gay sight! that oft a touch of pleasure gives
56 Even to the saddest, rudest soul that lives —
57 Gay sight! the passing carman grins thereat,
58 And sticks a purchased posie in his hat,
59 And cracks his whip and treads the rugged streets
60 With waggish air and jokes with all he meets.
61 The sickly child from nursery window spies
62 The tempting show, and for a nosegay cries,
63 Which placed in china mug, by linnet's cage,
64 Will for a time his listless mind engage.
65 The dame precise, moves at the flower-girl's cry,
66 Laying her patch-work or her netting by,
67 And from the parlour window casts her eye,
68 Then sends across the way her tiny maid;
69 And presently on mantle-piece displayed,
70 Between fair ornaments of china ware,
71 Small busts and lackered parrots stationed there,
[Page 151]72 Tulips, anemonies and wallflowers shine,
73 And strangely with their new compeers combine
74 Each visitor with wonder to excite,
75 Who looks and smiles, and lauds the motley sight.
76 That even to the prison's wretched thrall,
77 Those simple gems of nature will recall
78 What soothes the sadness of his dreary state,
79 Yon narrow window, through whose iron grate
80 A squalid countenance is dimly traced,
81 Gazing on flowers in broken pitcher placed
82 Upon the sooty sill and withering there,
83 Sad emblems of himself, most piteously declare.
84 Of what in gentle lady's curtained room,
85 On storied stands and gilded tripods bloom,
86 The richest, rarest flowers of every clime,
87 Whose learned names suit not my simple rhyme,
88 I speak not! lovely as they are, we find
89 They visit more the senses than the mind.
90 Their nurture comes not from the clouds of heaven,
91 But from a painted watering-pot is given;
[Page 152]92 And, in return for daily care, with faint
93 And sickly sweetness hall and chamber taint.
94 I will not speak of those; we feel and see
95 They have no kindred, our own Spring! with thee.
96 Welcome, sweet season! though with rapid pace
97 Thy course is run, and we can scarcely grace
98 Thy joyous coming with a grateful cheer,
99 Ere loose-leaved flowers and leaflets shrunk and sere,
100 And flaccid bending stems, sad bodings! tell
101 We soon must bid our fleeting friend farewell.
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Baillie, Joanna, 1762-1851. Fugitive Verses. By Joanna Baillie, author of “Dramas on the Passions,“ etc. London: Edward Moxon, Dover Street. MDCCCXL., 1840, pp. 147-152. (Page images digitized from a copy in the Bodleian Library [40.17].)
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Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Joanna Baillie
- ADDRESS TO A STEAM VESSEL. ()
- ADDRESS TO THE MUSES. ()
- THE BANISHED MAN, ON A DISTANT VIEW OF HIS COUNTRY, WHICH HE IS QUITTING FOR EVER. ()
- THE BLACK COCK, WRITTEN FOR A WELCH AIR, CALLED “THE NOTE OF THE BLACK COCK.” ()
- A CHEERFUL-TEMPERED LOVER'S FAREWELL TO HIS MISTRESS. ()
- A CHILD TO HIS SICK GRANDFATHER. ()
- DEVOTIONAL SONG FOR A NEGRO CHILD. ()
- A DISAPPOINTMENT. ()
- THE ELDEN TREE. A BALLAD. ()
- EPILOGUE TO THE THEATRICAL REPRESENTATION AT STRAWBERRY HILL, WRITTEN BY JOANNA BAILLIE AND SPOKEN BY THE HON. ANNE S. DAMER, NOVEMBER, 1800. ()
- FRAGMENT OF A POEM. ()
- FY, LET US A' TO THE WEDDING. (AN AULD SANG NEW BUSKIT.) ()
- HOOLY AND FAIRLY. (FOUNDED ON AIN OLD SCOTCH SONG.) ()
- THE HORSE AND HIS RIDER. ()
- A HYMN FOR THE KIRK. ()
- HYMN FOR THE SCOTCH KIRK. ()
- HYMN. ()
- HYMN. ()
- HYMN. ()
- HYMN. ()
- HYMN. ()
- HYMN. ()
- HYMN. ()
- A HYMN. ()
- JOB XIII. 15. ()
- THE KITTEN. ()
- A LAMENTATION. ()
- LINES FOR A FRIEND'S ALBUM. ()
- LINES ON THE DEATH OF SIR WALTER SCOTT. ()
- LINES ON THE DEATH OF WILLIAM SOTHEBY, ESQ. ()
- LINES TO A PARROT. ()
- LINES TO A TEAPOT. ()
- LINES TO AGNES BAILLIE ON HER BIRTHDAY. ()
- LONDON. ()
- LORD JOHN OF THE EAST, A Ballad. ()
- MALCOLM'S HEIR. A TALE OF WONDER. ()
- A MELANCHOLY LOVER'S FAREWELL TO HIS MISTRESS. ()
- THE MERRY BACHELOR, (FOUNDED ON THE OLD SCOTCH SONG OF “WILLIE WAS A WANTON WAG.”) ()
- THE MOODY SEER, A BALLAD. ()
- A MOTHER TO HER WAKING INFANT. ()
- NIGHT SCENES OF OTHER TIMES. A Poem, in Three Parts. ()
- A NURSERY LESSON (DEVOTIONAL). ()
- A POETICAL OR SOUND-HEARTED LOVER'S FAREWELL TO HIS MISTRESS. ()
- A PROUD LOVER'S FAREWELL TO HIS MISTRESS. ()
- A REVERIE. ()
- RHYMES FOR CHANTING. ()
- RHYMES. ()
- A SAILOR'S SONG ()
- SCHOOL RHYMES FOR NEGRO CHILDREN. ()
- A SCOTCH SONG. ()
- SECOND DEVOTIONAL SONG. ()
- A SECOND HYMN FOR THE KIRK. ()
- SECOND NURSERY LESSON (ADMONITORY). ()
- SELECT VERSES FROM THE 147TH PSALM. ()
- SIR MAURICE. A Ballad. ()
- SONG WRITTEN FOR THE STRAWBERRY HILL FOUNDLING PLAY, AND SUNG BY MRS. JOURDAIN. ()
- SONG, (FOR A SCOTCH AIR.) ()
- A SONG, (WRITTEN FOR MR. STRUTHER'S COLLECTION OF SONGS.) ()
- SONG, A NEW VERSION OF AN OLD SCOTCH SONG. ()
- SONG, CALLED THE COUNTRY LADY'S REVEILLIE. ()
- SONG, FOR AN IRISH AIR. ()
- SONG, FOR AN IRISH MELODY. ()
- SONG, POVERTY PARTS GOOD COMPANY, ()
- SONG, WOO'D AND MARRIED AND A', ()
- SONG, WRITTEN AT MR. THOMSON'S REQUEST, AS A KIND OF INTRODUCTION TO HIS IRISH MELODIES. ()
- SONG, WRITTEN FOR A WELCH AIR, CALLED “THE NEW YEAR'S GIFT.” ()
- SONG, WRITTEN FOR A WELCH AIR, CALLED “THE PURSUIT OF LOVE.” ()
- SONG, WRITTEN FOR A WELCH MELODY. ()
- SONG, WRITTEN FOR AN IRISH AIR. ()
- A SONG, WRITTEN FOR AN IRISH MELODY. ()
- SONG. ()
- SONG. ()
- SONG. (TO THE SCOTCH AIR OF “MY NANNY O.”) ()
- ST. JOHN XXI. 1. ()
- ST. LUKE VII. 12. ()
- ST. LUKE XVIII. 16. ()
- ST. MATTHEW V. 9. ()
- A SUMMER'S DAY. ()
- THIRD DEVOTIONAL SONG. ()
- A THIRD HYMN FOR THE KIRK. ()
- THOUGHTS TAKEN FROM THE 93RD PSALM. ()
- THUNDER. ()
- TO A CHILD. ()
- TO MRS. SIDDONS. ()
- TO SOPHIA J. BAILLIE, AN INFANT. ()
- THE TRAVELLER BY NIGHT IN NOVEMBER. ()
- TWO BROTHERS. ()
- TWO SONGS. ()
- VERSES SENT TO MRS. BAILLIE ON HER BIRTHDAY, 1813. ()
- VERSES WRITTEN IN FEBRUARY, 1827. ()
- VOLUNTEER'S SONG, WRITTEN IN 1803. ()
- A WINTER'S DAY. ()