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[Page 101]
Written on Their MAJESTIES coming to Kew.
1 He comes, he comes, our sacred King,
2 Now bids the town adieu;
3 And all the bells at Richmond ring,
4 To welcome him to Kew.
5 The air serene, the ev'ning clear,
6 The moon so fair to view;
7 Sweet emblem of our gracious Queen,
8 That came to day to Kew.
9 Now softly blows the western gale,
10 To wast the joyful strains,
11 Along the lowly winding vale,
12 And tell the distant plains.
13 In Spring's fresh robes the trees are clad,
14 The fields are fair to view;
15 And every loyal heart is glad
16 The King is come to Kew.
17 Ye lovers of inconstancy,
18 Now blush and take a view;
[Page 102]19 A bright example you may see,
20 The royal pair at Kew.
21 May God continue still to give
22 Them pleasures ever new;
23 And many summers may they live
24 To reign and visit Kew.
About this text
Author: Elizabeth Hands (née Herbert)
Themes:
Genres:
occasional poem
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Source edition
Hands, Elizabeth, 1746-1815. The death of Amnon. A poem. With an appendix: containing pastorals, and other poetical pieces. By Elizabeth Hands. [Coventry]: Printed for the author, by N. Rollason, Coventry, M,DCCLXXXIX., 1789, pp. 101-102. [40],127,[1]p.; 8⁰. (ESTC T141063) (Page images digitized from a copy in the Bodleian Library [Dunston B 961 (1)].)
Editorial principles
Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Elizabeth Hands (née Herbert)
- ABSENCE AND DEATH. A PASTORAL. ()
- ABSENCE. ()
- CONTENTMENT. ()
- CORINNA TO LYCIDAS. ()
- CRITICAL FRAGMENTS, ON SOME OF THE ENGLISH POETS. ()
- THE DEATH OF AMNON. A POEM. ()
- An ELEGY. ()
- An ENIGMA. ()
- An EPISTLE. ()
- The FAVOURITE SWAIN. ()
- FRIENDSHIP. An ODE. ()
- LEANDER AND BELINDA. A TALE. ()
- LOB's COURTSHIP. ()
- LOVE AND FRIENDSHIP. A PASTORAL. ()
- OBSERVATION ON THE WORKS of NATURE. ()
- OBSERVATION, On an EVENING. ()
- OBSERVATION. ()
- On a WEDDING. ()
- On an UNSOCIABLE FAMILY. ()
- On CONTEMPLATIVE EASE. ()
- On reading Pope's Eloiza to Abelard. ()
- On the Author's LYING-IN, AUGUST, 1785. ()
- A PASTORAL DIALOGUE. ()
- A PASTORAL SONG. ()
- A PASTORAL. [As Thirsis and Daphne, upon the new hay] ()
- A PASTORAL. [Young Corydon, a blithesome swain] ()
- A PASTORAL. [Young Damon gay, a faithful-hearted swain] ()
- PERPLEXITY. A POEM. ()
- PHILLIS TO DAMON. A SONG. ()
- A POEM, On the Supposition of an Advertisement appearing in a Morning Paper, of the Publication of a Volume of Poem, by a Servant Maid. ()
- A POEM, On the Supposition of the Book having been published and read. ()
- REFLECTION on MEDITATION. ()
- REFLECTION. ()
- The RURAL MAID in LONDON, To her FRIEND in the COUNTRY. An EPISTLE. ()
- A SONG. [Far from the woods, alas, I rove] ()
- A SONG. [When Chloe, smiling, gave consent] ()
- A SONG. [Ye swains cease to flatter, our hearts to obtain] ()
- THIRSIS AND DAPHNE. A POEM. ()
- To THIRSIS, On his signifying his intention to lay aside his Hautboy. ()
- The WIDOWER's COURTSHIP. ()
- WIT AND BEAUTY. A PASTORAL. ()
- Written while the Author sat on a COOK of HAY. ()
- Written, originally extempore, on seeing a Mad HEIFER run through the Village where the Author lives. ()