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LINES
ON THE PLACE DE LA CONCORDE AT PARIS,
Originally called the Place de Louis Seize, — next the Place de la Revolution, where the perpetual guillotine stood.
1 PROUD Seine, along thy winding tide
2 Fair smiles yon plain expanding wide,
3 And, deckt with art and nature's pride,
4 Seems formed for jocund revelry.
5 Scene, formed the eye of taste to please!
6 There splendid domes attention seize,
7 There, proudly towering, spreading trees
8 Arise in beauteous rivalry: ....
9 But there's a place amidst that plain
10 Which bids its beauties beam in vain;
11 Which wakes the inmost soul to pain,
12 And prompts the throb of agony.
13 That place by day, lo! numbers fly,
14 And, shuddering, start to see it nigh;
15 Who there at midnight breathe the sigh
16 Of faithful, suffering, loyalty.
17 While, blending with those loyal sighs,
18 Oft times the patriot's murmurs rise,
19 Who thither, hid by darkness, flies,
20 To mourn the sons of liberty.
21 Lo! as amidst that plain I stray,
22 Methinks strange sadness shrouds the day,
23 And clothed in slaughter's red array
24 Appears the scene of gayety.
25 For once that spot was dark with blood,
26 There death's destroying engine stood,
27 There streamed, alas! the vital flood
28 Of all that graced humanity.
29 Ah! since this fair domain ye chose,
30 Dread ruffians, for your murderous blows,
31 Could not the smiling scene unclose
32 Your hearts to love and charity!
33 No .... horrid contrast! on that scene
34 The murderer reared his poniard keen;
35 There proudly stalked with hideous mien
36 The blood-stained sons of anarchy.
37 Nor, Gallia, shall thy varied mirth,
38 Thy store of all that graces earth,
39 Ere give a kind oblivion birth
40 To thy recorded cruelty.
41 In all thy pomp of charms and power,
42 Earth can, alas! forget no more
43 The awful guilt that stains thy shore
44 With dies of sanguine tyranny,
45 Than they who see blue lightnings beam
46 Can ere forget, though fair they seem,
47 That danger lurks in every gleam,
48 And death's appalling agency.
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About this text
Author: Amelia Opie (née Alderson)
Themes:
Genres:
ballad metre; address
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Source edition
Opie, Amelia Alderson, 1769-1853. The Warrior's Return, and Other Poems. By Mrs. Opie. 2d. ed. London: Printed for Longman, Hurst, Rees, and Orme, Paternoster-row, 1808, pp. [125]-129. (Page images digitized by Library of Congress Research Institute.)
Editorial principles
Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Amelia Opie (née Alderson)
- BALLAD, FOUNDED ON FACT. ()
- JULIA, OR THE CONVENT OF ST. CLAIRE. ()
- LINES ON HEARING, THREE OR FOUR YEARS AGO, THAT CONSTANTINOPLE WAS SWALLOWED UP BY AN EARTHQUAKE; ()
- LINES ON THE OPENING OF A SPRING CAMPAIGN. ()
- LINES WRITTEN IN 1799. ()
- LOVE ELEGY, TO HENRY. ()
- LOVE ELEGY, TO LAURA. ()
- THE LUCAYAN'S SONG. ()
- THE MAD WANDERER, A BALLAD. ()
- THE MOON AND THE COMET; A FABLE. ()
- ODE TO BORROWDALE IN CUMBERLAND. ()
- THE ORIGIN OF THE SAIL. ()
- REMEMBRANCE. ()
- SECRET LOVE. ()
- SONG ()
- SONG. ()
- SONG. ()
- SONG. ()
- SONG. ()
- SONG. ()
- [SONG.] ()
- [SONG.] ()
- [SONG.] ()
- [SONG.] ()
- SONNET ON THE APPROACH OF AUTUMN. ()
- STANZAS TO CYNTHIO. ()
- TO A MANIAC. ()
- TO ANNA. ()
- TO HENRY. ()
- TO HENRY. ()
- TO HENRY. ()
- TO HENRY. ()
- TO LAURA. ()
- TO LORENZO. ()
- TO LOTHARIO. ()
- THE WARRIOR'S RETURN. ()