[Page 93]
TO MELANCHOLY.
1 Spirit of love and sorrow — hail!
2 Thy solemn voice from far I hear,
3 Mingling with ev'ning's dying gale:
4 Hail, with this sadly-pleasing tear!
5 O! at this still, this lonely hour,
6 Thine own sweet hour of closing day,
7 Awake thy lute, whose charmful pow'r
8 Shall call up Fancy to obey.
9 To paint the wild romantic dream,
10 That meets the poet's musing eye,
11 As on the bank of shadowy stream,
12 He breathes to her the fervid sigh.
[Page 94]13 O lonely spirit! let thy song
14 Lead me through all thy sacred haunt;
15 The minster's moon-light aisles along,
16 Where spectres raise the midnight chaunt.
17 I hear their dirges faintly swell!
18 Then, sink at once in silence drear;
19 While, from the pillar'd cloister's cell,
20 Dimly their gliding forms appear!
21 Lead where the pine-woods wave on high,
22 Whose pathless sod is darkly seen,
23 As the cold moon, with trembling eye,
24 Darts her long beams the leaves between.
25 Lead to the mountain's dusky head,
26 Where, far below, in shade profound,
27 Wide forests, plains, and hamlets, spread,
28 And sad the chimes of vesper sound.
[Page 95]29 Or guide me where the dashing oar
30 Just breaks the stillness of the vale;
31 As slow it tracks the winding shore,
32 To meet the ocean's distant sail:
33 To pebbly banks, that Neptune laves,
34 With measur'd surges, loud and deep;
35 Where the dark cliff bends o'er the waves,
36 And wild the winds of autumn sweep:
37 There pause at midnight's spectred hour,
38 And list the long-resounding gale:
39 And catch the fleeting moon-light's pow'r,
40 O'er foaming seas and distant sail.
Source edition
Radcliffe, Ann Ward, 1764-1823. The Poems of Mrs. Ann Radcliffe. London: printed by and for J. Smith, Princes Street, 1816, pp. 93-95. 118p. [Radcliffe's poems only, pp. 1-95] (Page images digitized from a copy held at the National Library of the Netherlands.)
Editorial principles
Typography, spelling, capitalization, and punctuation have been cautiously modernized. The source of the text is given and all significant editorial interventions have been recorded in textual notes. This ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Ann Radcliffe (née Ward)
- AIR. [Now, at Moonlight's fairy hour] ()
- THE BUTTER-FLY TO HIS LOVE. ()
- THE FIRST HOUR OF MORNING. ()
- THE GLOW-WORM. ()
- THE MARINER. ()
- MORNING, ON THE SEA-SHORE. ()
- NIGHT. ()
- NIGHT. ()
- THE PIEDMONTESE. ()
- THE PILGRIM. ()
- RONDEAU. [Soft as yon silver ray, that sleeps] ()
- THE SEA-NYMPH. ()
- SHIPWRECK. ()
- SONG OF A SPIRIT. ()
- SONG OF THE EVENING HOUR. ()
- SONG. [Life's a varied, bright illusion] ()
- SONG. [The rose that weeps with morning dew] ()
- SONNET, TO THE LILLY. ()
- SONNET. [How sweet is Love's first gentle sway] ()
- SONNET. [Morn's beaming eyes at length unclose] ()
- SONNET. [Now the bat circles on the breeze of eve] ()
- STANZAS. [How smooth that lake expands its ample breast!] ()
- STANZAS. [O'er Ilion's plains, where once the warrior bled] ()
- STORIED SONNET. ()
- SUN-RISE: A SONNET. ()
- SUN-SET. ()
- TITANIA TO HER LOVE. ()
- TO A SEA-NYMPH. ()
- TO AUTUMN. ()
- TO THE BAT. ()
- TO THE NIGHTINGALE. ()
- TO THE VISIONS OF FANCY. ()
- TO THE WINDS. ()