[Page 200]


At the Opening of the Theatre in Drury-lane 1747.

1 WHEN learning's triumph o'er her barb'rous foes
2 First rear'd the stage, immortal SHAKESPEAR rose;
3 Each change of many-colour'd life he drew,
4 Exhausted worlds, and then imagin'd new:
5 Existence saw him spurn her bounded reign,
6 And panting Time toil'd after him in vain:
7 His pow'rful strokes presiding Truth impress'd,
8 And unresisted passion storm'd the breast.
9 Then JOHNSON came, instructed from the school,
10 To please in method, and invent by rule;
11 His studious patience, and laborious art,
12 By regular approach assail'd the heart;
13 Cold approbation gave the ling'ring bays,
14 For those who durst not censure, scarce cou'd praise.
15 A mortal born, he met the general doom,
16 But left, like Egypt's kings, a lasting tomb.
[Page 201]
17 The wits of Charles found easier ways to fame,
18 [Nor wish'd] for JOHNSON'S art, or SHAKESPEAR'S flame;
19 Themselves they studied, as they felt they writ;
20 Intrigue was plot, obscenity was wit.
21 Vice always found a sympathetick friend,
22 They pleas'd their age, and did not aim to mend.
23 Yet bards like these aspir'd to lasting praise,
24 And proudly hop'd to pimp in future days.
25 Their cause was gen'ral, their supports were strong,
26 Their slaves were willing, and their reign was long;
27 Till shame regain'd the post that sense betray'd,
28 And Virtue call'd oblivion to her aid.
29 Then crush'd by rules, and weaken'd as refin'd,
30 For years the pow'r of tragedy declin'd;
31 From bard to bard the frigid caution crept,
32 Till declamation roar'd, while passion slept.
33 Yet still did Virtue deign the stage to tread,
34 Philosophy remain'd, though Nature fled.
35 But forc'd at length her ancient reign to quit,
36 She saw great Faustus lay the ghost of Wit:
37 Exulting Folly hail'd the joyful day,
38 And pantomime and song confirm'd her sway.
39 But who the coming changes can presage,
40 And mark the future periods of the stage?
41 Perhaps if skill could distant times explore,
42 New Behns, new Durfeys, yet remain in store.
43 Perhaps, where Lear has rav'd, and Hamlet dy'd,
44 On flying cars new sorcerers may ride.
[Page 202]
45 Perhaps (for who can guess th' effects of chance?)
46 Here Hunt may box, or Mahomet may dance.
47 Hard is his lot, that here by Fortune plac'd,
48 Must watch the wild vicissitudes of taste;
49 With every meteor of caprice must play,
50 And chace the new-blown bubbles of the day.
51 Ah! let not censure term our fate our choice;
52 The stage but echoes back the publick voice,
53 The drama's laws the drama's patrons give,
54 For we that live to please, must please, to live.
55 Then prompt no more the follies you decry,
56 As tyrants doom their tools of guilt to die;
57 'Tis yours this night to bid the reign commence
58 Of rescu'd nature, and reviving sense;
59 To chace the charms of sound, the pomp of show,
60 For useful mirth, and salutary woe;
61 Bid scenic virtue form the rising age,
62 And truth diffuse her radiance from the stage.


  • TEI/XML [chunk] (XML - 144K / ZIP - 15K) / ECPA schema (RNC - 357K / ZIP - 73K)
  • Plain text [excluding paratexts] (TXT - 2.8K / ZIP - 1.7K)

Facsimile (Source Edition)

(Page images digitized by the Eighteenth-Century Poetry Archive from a copy in the archive's library.)



All Images (PDF - 2.4M)

About this text

Title (in Source Edition): PROLOGUE SPOKEN BY Mr. GARRICK, At the Opening of the Theatre in Drury-lane 1747.
Themes: theatre
Genres: heroic couplet; prologue
References: DMI 22346

Text view / Document view

Source edition

Dodsley, Robert, 1703-1764. A Collection of Poems in Six Volumes. By Several Hands. Vol. I. London: printed by J. Hughs, for R. and J. Dodsley, 1763 [1st ed. 1758], pp. 200-202. 6v.: music; 8⁰. (ESTC T131163; OTA K104099.001) (Page images digitized by the Eighteenth-Century Poetry Archive from a copy in the archive's library.)

Editorial principles

The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.