[Page 22]
TO A LADY SITTING FOR HER PICTURE.
1 THE weary look, desponding air,
2 Ill suits, my Dear, a face so fair;
3 Resume your smiles; again supply
4 The Graces caught by Fancy's eye.
5 While Wilson sketches out the piece,
6 We'll talk, to pass the time, of Greece;
7 Of Greece, as you have often heard,
8 For warriors, and for wits rever'd;
9 The seat of Learning, and the Graces,
10 Fam'd for fine arts, but finer faces;
11 Where Painters, Poets, not as since,
12 Were greater held than any Prince;
13 In temples, palaces carest,
14 None more the Ladies smiles possest;
[Page 23]15 For they were rich as well as clever,
16 And riches were successful ever;
17 Priests, Senates, Nations, Kings desir'd
18 The works their heaven-taught art inspir'd,
19 And if a pencil chanc'd to drop,
20 An Alexander pick'd it up;
21 Beauties would run to be sketch'd over;
22 The haughty Prince, tho' much a lover,
23 Once for the copy, payment small,
24 Resign'd up the original,
25 The fair Campaspé's matchless charms,
26 More conquering than the Monarch's arms,
27 To one Apelles; one who drew
28 The Queen of Love, as Wilson you.
29 Each lovely maid, of Greece the toast,
30 Such as our British isle can boast,
31 In all their native beauty gay,
32 As Hebé young, and sweet as May,
33 Before him sate: from one he chose
34 The eye which Love half seem'd to close;
35 This lent a face divinely fair,
36 A mild, and yet majestic air;
37 That gave what art in vain would seek,
38 The spirits mantling in the cheek,
39 And lips that softness seem'd to speak.
40 Thus, from their various charms combin'd,
41 One perfect Whole imprest his mind;
42 But had Apelles painted now,
43 He might, my Dear, have copied you,
[Page 24]44 And, as in truth, I think, was done,
45 He would have from the picture run,
46 And left the Venus but begun,
47 To sacrifice the pride of art
48 To the bright Goddess of his heart,
49 And given up an immortal claim,
50 For beauty's prize, the prize of fame.
About this text
Author: Sir James Marriott
Themes:
art; painting; beauty
Genres:
address
References:
DMI 32618
Text view / Document view
Source edition
Pearch, G. A collection of poems in four volumes. By several hands. Vol. IV. [The second edition]. London: printed for G. Pearch, 1770, pp. 22-24. 4v. ; 8⁰. (ESTC T116245; DMI 1137; OTA K093079.004) (Page images digitized from a copy in the Bodleian Library [(OC) 280 o.791].)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Sir James Marriott
- THE ACADEMIC. WRITTEN APRIL M.DCC.LV. ()
- ARION, an ODE. ()
- Book I. Ode XVIII. Invitation to his Mistress. ()
- Book II. Ode XII. Translated. ()
- CANZONETTA. ()
- Captain CUPID. ()
- ELEGY. ON THE DEATH OF A YOUNG LADY. ()
- INSCRIPTION UPON A HERMITAGE. ()
- INSCRIPTION UPON A MONUMENT. ()
- LAURA: OR, THE COMPLAINT. AN ELEGY. ()
- ODE on Ambition. ()
- ODE ON DEATH. WRITTEN IN FRENCH BY HIS MAJESTY THE KING OF PRUSSIA. ()
- ODE on Lyric POETRY. ()
- ODE to FANCY. ()
- Ode VI. Book II. Imitated. ()
- RINALDO AND ARMIDA. TO A LADY SINGING. ()
- THE ROYAL VOYAGE. ()
- SACRED ODE. ()
- To a LADY making a Pin-Basket, ()
- THE VALETUDINARIAN. AN ODE. ()