[Page 250]


1 WHILE I with fond officious care
2 For you my chorded shell prepare,
3 And not unmindful frame an humble lay;
4 Where shall this verse my Cynthio find?
5 What scene of art now charms your mind?
6 Say, on what sacred spot of Roman ground you stray?
7 Perhaps you cull each valley's bloom,
8 To strew o'er Virgil's laurell'd tomb,
9 Whence oft at midnight echoing voices sound;
10 For at that hour of silence, there
11 The shades of ancient Bards repair,
12 To join in choral song his hallow'd urn around:
13 Or wander in the cooling shade
14 Of Sabine bowers, where Horace stray'd,
15 And oft repeat in eager thought elate,
16 (As round in classic search you trace
17 With curious eye the pleasing place)
18 "That fount he lov'd, and there beneath that hill he sate."
[Page 251]
19 How longs my raptur'd breast with you
20 Great Raphael's magic strokes to view,
21 To whose blest hand each charm the Graces gave!
22 Whence each fair form with beauty glows,
23 Like that of Venus, when she rose
24 Naked in blushing charms from Ocean's hoary wave.
25 As oft by roving fancy led
26 To smooth Clitumnus' banks you tread,
27 What awful thoughts his fabled waters raise!
28 While the low-thoughted swain, whose flock
29 Grazes around, from some steep rock
30 With vulgar disregard his mazy course surveys.
31 Now thro' the ruin'd domes my Muse
32 Your steps with eager flight pursues,
33 That their cleft piles on Tyber's plains present,
34 Among whose hollow-winding cells
35 Forlorn and wild Rome's Genius dwells,
36 His golden sceptre broke, and purple mantle rent.
37 Oft to those mossy mouldering walls,
38 Those caverns dark, and silent halls,
39 Let me repair by midnight's paly fires;
40 There muse on Empire's fallen state,
41 And frail Ambition's hapless fate,
42 While more than mortal thoughts the solemn scene inspires.
[Page 252]
43 What lust of power from the cold North
44 Could tempt those Vandal-robbers forth,
45 Fair Italy, thy vine-clad vales to wast!
46 Whose hands profane, with hostile blade,
47 Thy story'd temples dar'd invade,
48 And all thy Parian seats of Attic art defac'd.
49 They, weeping Art in fetters bound,
50 And gor'd her breast with many a wound,
51 And veil'd her charms in clouds of thickest night;
52 Sad Poesy, much-injur'd maid,
53 They drove to some dim convent's shade,
54 And quench'd in gloomy mist her lamp's resplendent light.
55 There long she wept, to darkness doom'd,
56 'Till Cosmo's hand her light relum'd,
57 That once again in losty Tasso shone;
58 Since has sweet Spenser caught her fire,
59 She breath'd once more in Milton's lyre,
60 And warm'd the soul divine of Shakespear, Fancy's son.
61 Nor she, mild queen, will cease to smile
62 On her Britannia's much-lov'd isle,
63 Where these her best, her favourite three were born,
64 While
z The author of the Pleasures of Imagination.
Theron warbles Graecian strains,
65 Or polish'd Dodington remains,
66 The drooping train of Arts to cherish and adorn.


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About this text

Author: Joseph Warton
Themes: travel; poetry; literature; writing; other countries
Genres: ode
References: DMI 32521

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Source edition

Pearch, G. A collection of poems in four volumes. By several hands. Vol. II. [The second edition]. London: printed for G. Pearch, 1770, pp. 250-252. 4v. ; 8⁰. (ESTC T116245; DMI 1135; OTA K093079.002) (Page images digitized from a copy in the Bodleian Library [(OC) 280 o.789].)

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The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.