To MISS R—, On her Attendance on her Mother at BUXTON.
With lenient arts extend a mother's breath.
1 WHEN blooming beauty in the noon of power,
2 While offer'd joys demand each sprightly hour,
3 With all that pomp of charms and winning mein
4 Which sure to conquer needs but to be seen;
5 When she, whose name the softest love inspires,
6 To the husht chamber of disease retires,[Page 105]
7 To watch and weep beside a parent's bed,
8 Catch the faint voice, and raise the languid head,
9 What mixt delight each feeling heart must warm!
10 An angel's office suits an angel's form.
11 Thus the tall column graceful rears its head
12 To prop some mould'ring tower with moss o'erspread,
13 Whose stately piles and arches yet display
14 The venerable graces of decay:
15 Thus round the wither'd trunk fresh shoots are seen
16 To shade their parent with a chearful green.
17 More health, dear maid! thy soothing presence brings
18 Than purest skies, or salutary springs:
19 That voice, those looks such healing virtues bear,
20 Thy sweet reviving smiles might cheer despair;
21 On the pale lips detain the parting breath,
22 And bid hope blossom in the shades of death.
23 Beauty, like thine, could never reach a charm
24 So powerful to subdue, so sure to warm.[Page 106]
25 On her lov'd child behold the mother gaze,
26 In weakness pleas'd, and smiling thro' decays,
27 And leaning on that breast her cares asswage;
28 How soft a pillow for declining age!
29 For this, when that fair frame must feel decay,
30 (Ye fates protract it to a distant day)
31 When thy approach no tumults shall impart,
32 Nor that commanding glance strike thro' the heart,
33 When meaner beauties shall have leave to shine,
34 And crowds divide the homage lately thine,
35 Not with the transient praise those charms can boast
36 Shall thy fair fame and gentle deeds be lost:
37 Some pious hand shall thy weak limbs sustain,
38 And pay thee back these generous cares again;
39 Thy name shall flourish by the good approv'd,
40 Thy memory honour'd, and thy dust belov'd.
About this text
Title (in Source Edition): To MISS R—, On her Attendance on her Mother at BUXTON.
Genres: heroic couplet
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The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by Anna Laetitia Barbauld (née Aikin)
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- CHARACTERS. ()
- CORSICA. ()
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- The GROANS of the TANKARD. ()
- HYMN I. ()
- HYMN II. ()
- HYMN III. For EASTER-SUNDAY. ()
- HYMN IV. ()
- HYMN to CONTENT. ()
- HYMN V. ()
- The INVITATION: To MISS B—. ()
- The MOUSE's PETITION, Found in the TRAP where he had been confin'd all Night. ()
- ODE to SPRING. ()
- On a LADY's WRITING. ()
- ON THE Backwardness of the SPRING 1771. ()
- ON THE DEATH OF MRS. JENNINGS. ()
- THE ORIGIN OF SONG-WRITING. ()
- OVID to his WIFE: Imitated from different Parts of his TRISTIA. ()
- SONG II. ()
- SONG III. ()
- SONG IV. ()
- SONG V. ()
- SONG VI. ()
- [SONG] I. ()
- A Summer Evening's Meditation. ()
- To a LADY, With some painted FLOWERS. ()
- To MRS. P—, With some Drawings of BIRDS and INSECTS. ()
- To WISDOM. ()
- VERSES on MRS. ROWE. ()
- VERSES written in an Alcove. ()