[Page 38][Page 41]
THE MANNERS. AN ODE.
1 FArewell, for clearer ken design'd,
2 The dim-discover'd tracts of mind:
3 Truths which, from action's paths retir'd,
4 My silent search in vain requir'd!
5 No more my sail that deep explores,
6 No more I search those magic shores,
7 What regions part the world of soul,
8 Or whence thy streams, Opinion, roll:
9 If e'er I round such fairy field,
10 Some Power impart the spear and shield,
11 At which the wizzard Passions fly,
12 By which the giant Follies die!
13 Farewell the porch, whose roof is seen,
14 Arch'd with th' enlivening olive's green:
15 Where Science prank'd in tissu'd vest,
16 By Reason, Pride, and Fancy drest,
17 Comes like a bride, so trim array'd,
18 To wed with Doubt in Plato's shade!
19 Youth of the quick uncheated sight,
20 Thy walks, Observance, more invite!
[Page 39]21 O thou, who lov'st that ampler range,
22 Where life's wide prospects round thee change,
23 And, with her mingling sons allied,
24 Throw'st the prattling page aside:
25 To me in converse sweet impart,
26 To read in man the native heart,
27 To learn, where Science sure is found,
28 From Nature as she lives around:
29 And gazing oft her mirror true,
30 By turns each shifting image view!
31 Till meddling Art's officious lore
32 Reverse the lessons taught before,
33 Alluring from a safer rule,
34 To dream in her enchanted school;
35 Thou heaven, whate'er of great we boast,
36 Hast blest this social science most.
37 Retiring hence to thoughtful cell,
38 As Fancy breathes her potent spell,
39 Not vain she finds the charmful task,
40 In pageant quaint, in motley mask,
41 Behold, before her musing eyes,
42 The countless Manners round her rise;
43 While ever varying as they pass,
44 To some Contempt applies her glass:
45 With these the white-rob'd Maids combine,
46 And those the laughing Satyrs join!
47 But who is he whom now she views,
48 In robe of wild contending hues?
[Page 40]49 Thou, by the Passions nurs'd; I greet
50 The comic sock that binds thy feet!
51 O Humour, thou whose name is known
52 To Britain's favour'd isle alone;
53 Me too amidst thy band admit,
54 There where the young-ey'd healthful Wit,
55 (Whose jewels in his crisped hair
56 Are plac'd each other's beams to share,
57 Whom no delights from thee divide)
58 In laughter loos'd attends thy side!
59 By old Miletusy
y Alluding to the Milesian tales, some of the earliest romances.
, who so long60 Has ceas'd his love-inwoven song:
61 By all you taught the Tuscan maids,
62 In chang'd Italia's modern shades:
63 By himz
z Cervantes.
whose knight's distinguish'd name64 Refin'd a nation's lust of fame;
65 Whose tales even now, with echoes sweet,
66 Castilia's Moorish h lls repeat:
67 Or hima
a Monsieur Le Sage, author of the incomparable adventures of Gii Blas de Santillane, who died in Paris in the year 1745.
, whom Seine's blue nymphs deplore,68 In watchet weeds on Gallia's shore,
69 Who drew the sad Sicilian maid,
70 By virtues in her sire betray'd:
71 O Nature boon, from proceed
72 Each forceful thought, each prompted deed;
73 If but from thee I hope to feel,
74 On all my heart imprint thy seal!
75 Let some retreating Cynic find
76 Those oft-turn'd scrolls I leave behind,
77 The Sports and I this hour agree,
78 To rove thy scene-full world with thee!
About this text
Author: William Collins
Themes:
manners
Genres:
ode
References:
DMI 31052
Text view / Document view
Source edition
Pearch, G. A collection of poems in four volumes. By several hands. Vol. II. [The second edition]. London: printed for G. Pearch, 1770, pp. 38-41. 4v. ; 8⁰. (ESTC T116245; DMI 1135; OTA K093079.002) (Page images digitized from a copy in the Bodleian Library [(OC) 280 o.789].)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by William Collins
- AN EPISTLE ADDRESS'D TO Sir THOMAS HANMER, On his EDITION of SHAKESPEAR'S WORKS. ()
- ODE ON THE DEATH OF MR. JAMES THOMSON. ()
- ODE ON THE POETICAL CHARACTER. ()
- ODE to EVENING. ()
- ODE TO FEAR. (); AN ODE TO FEAR. ()
- ODE TO LIBERTY. ()
- ODE TO MERCY. ()
- ODE TO PEACE, ()
- ODE TO PITY. ()
- ODE TO SIMPLICITY. ()
- ODE, to a LADY. On the Death of Col. Charles Ross, in the Action at Fontenoy. Written May 1745. ()
- ODE, Written in the same Year. ()
- ORIENTAL ECLOGUES. (); ORIENTAL ECLOGUES. ()
- THE PASSIONS. AN ODE. (); THE PASSIONS, AN ODE FOR MUSIC. ()
- A SONG FROM SHAKESPEAR's CYMBELINE. Sung by GUIDERUS and ARVIRAGUS over FIDELE, supposed to be dead. ()
- WRITTEN ON A PAPER, WHICH CONTAINED A PIECE OF BRIDE CAKE: GIVEN TO THE AUTHOR BY A LADY. ()