ODE ON THE POETICAL CHARACTER.
1 AS once, if not with light regard,
2 I read aright that gifted Bard,
3 (Him whose school above the rest
4 His loveliest Elsin queen has blest)
5 One, only one, unrivall'd fairx
x Florimel. See Spenser, Leg. 4th.
6 Might hope the magic girdle wear,[Page 35]
7 At solemn turney hung on high,
8 The wish of each love-darting eye.
9 Lo! to each other nymp in turn applied,
10 As if, in air unseen, some hovering hand,
11 Some chaste and angel-friend to virgin fame,
12 With whisper'd spell had burst the starting band,
13 It left unblest her loath'd dishonour'd side;
14 Happier, hopeless fair, if never
15 Her baffled hand with vain endeavour
16 Had touch'd that fatal zone to her denied!
17 Young Fancy thus, to me divinest name,
18 To whom, prepar'd and bath'd in heaven,
19 The cest of amplest power is given:
20 To few the god like gift assignt,
21 To gird their blest prophetic loins,
22 And gaze her visions wild, and feel unmix'd her flame.
23 The band, as fairy legends say,
24 Was wove on that creating day,
25 When he, who call'd with thought to birth
26 Yon tented sky, this laughing earth,
27 And drest with springs, and forests tall,
28 And pour'd the main engirting all,
29 Long by the lov'd enthusiast woo'd,
30 Himself in some diviner mood,
31 Retiring, sat with her alone,
32 And plac'd her on his saphire throne,[Page 36]
33 The whiles, the vaulted shrine around,
34 Seraphic wires were heard to sound!
35 Now sublimest triumph swelling,
36 Now on love and mercy dwelling;
37 And she, from out the veiling cloud,
38 Breath'd her magic notes aloud:
39 And thou, thou rich-hair'd youth of morn,
40 And all thy subject life was born!
41 The dangerous passions kept aloof,
42 Far from the sainted growing woof:
43 But near it sat ecstatic Wonder,
44 Listening the deep applauding thunder:
45 And Truth, in sunny vest array'd,
46 By whose the Tarsol's eyes were made:
47 All the shadowy tribes of Mind,
48 In braided dance their murmurs join'd,
49 And all the bright uncounted Powers,
50 Who feed on heaven's ambrosial flowers.
51 Where is the Bard, whose soul can now
52 Its high presuming hopes avow?
53 Where he who thinks, with rapture blind,
54 This hallow'd work for him design'd?
55 High on some cliff, to heaven up-pil'd,
56 Of rude access, of prospect wild,
57 Where, tangled round the jealous steep,
58 Strange shades o'erbrow the vallies deep,[Page 37]
59 And holy Genii guard the rock,
60 Its glooms embrown, its springs unlock,
61 While on its rich ambitious head,
62 An Eden, like his own, lies spread.
63 I view that oak, the fancy'd glades among,
64 By which as Milton lay, his evening ear,
65 From many a cloud that dropp'd ethereal dew,
66 Nigh spher'd in heaven its native strains could hear:
67 On which that antient trump he reach'd was hung;
68 Thither of his glory greeting,
69 From Waller's myrtle shades retreating,
70 With many a vow from Hope's aspiring tongue,
71 My trembling feet his guiding steps pursue;
72 In vain — Such bliss to one alone,
73 Of all the sons of soul was known,
74 And Heaven, and Fancy, kindred powers,
75 Have now o'erturn'd th' inspiring bowers,
76 Or curtain'd close such scene from every future view.
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About this text
Author: William Collins
Themes: imagination; poetry; literature; writing
References: DMI 31041
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Pearch, G. A collection of poems in four volumes. By several hands. Vol. II. [The second edition]. London: printed for G. Pearch, 1770, pp. 34-37. 4v. ; 8⁰. (ESTC T116245; DMI 1135; OTA K093079.002) (Page images digitized from a copy in the Bodleian Library [(OC) 280 o.789].)
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by William Collins
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- ODE to EVENING. ()
- ODE TO FEAR. (); AN ODE TO FEAR. ()
- ODE TO LIBERTY. ()
- ODE TO MERCY. ()
- ODE TO PEACE, ()
- ODE TO PITY. ()
- ODE TO SIMPLICITY. ()
- ODE, to a LADY. On the Death of Col. Charles Ross, in the Action at Fontenoy. Written May 1745. ()
- ODE, Written in the same Year. ()
- ORIENTAL ECLOGUES. (); ORIENTAL ECLOGUES. ()
- THE PASSIONS. AN ODE. (); THE PASSIONS, AN ODE FOR MUSIC. ()
- A SONG FROM SHAKESPEAR's CYMBELINE. Sung by GUIDERUS and ARVIRAGUS over FIDELE, supposed to be dead. ()
- WRITTEN ON A PAPER, WHICH CONTAINED A PIECE OF BRIDE CAKE: GIVEN TO THE AUTHOR BY A LADY. ()