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[Page 6]TO ROBERT MERRY, ESQ. *
INVOCATION TO OBLIVION.
TO ROBERT MERRY, ESQ. ** Better known to the world as the elegant author of the poems published under the name of Della Crusca.
1 OBLIVION! hail, thou peaceful pow'r!
2 Blest offspring thou of life's last hour,
3 Who, bending o'er the bed of woe,
4 (When Fate ordains the welcome blow,
5 Fixing to human griefs a bound,
6 Without the church-yard's hollow mound,)
7 Calm'st with thy poppy-cinctur'd urn,
8 The panting soul long us'd to mourn.
9 Alike thy draft Lethean drowns
10 The pride of kings, the care of clowns.
11 Now Death has chill'd the fever'd mind
12 Of him, the scourge of human-kind,
[Page 7]13 Who, his insatiate fame to feed,
14 Bade all mankind or weep or bleed.
15 Lo! at thy shrine the victor bows;
16 Thy poppies now entwine his brows:
17 Thais no more with angel charms
18 Awakes his hope, his breast alarms,
19 No longer bids him fondly gaze
20 On eyes that mock the diamond's blaze.
21 Unheeded now o'er Edward's grave
22 Fam'd Cressy's living laurels wave.
23 Unconscious of the foliage proud,
24 The warrior slumbers in his shroud:
25 Yet thou who thus of human pride
26 Stem'st the deep o'erflowing tide,
27 Who o'er ambition's blazon'd tale
28 Indignant throw'st thy sable veil,
29 Dost still in mercy soothe the woe
30 That bids through life the tear to flow,
[Page 8]31 Whom mis'ry urges to his tomb,
32 Obtain from thee a welcome doom.
33 At ease reclin'd within thy arms,
34 And deaf to faction's loud alarms,
35 See murder'd Mary calmly sleeps,
36 And, blissful change! no longer weeps.
37 Embosom'd in some unknown tomb,
38 Forgetful of his impious doom,
39 Sleeps the sad prince whose hapless fate
40 Through time's long course shall want its mate;
41 E'en Love, that tyrant of the breast,
42 At thy numb touch is hush'd to rest;
43 No longer through the Paraclete,
44 Of Heloise the last retreat,
45 His barbed shafts destructive fly,
46 For Abelard but once could die;
47 Around their sad united grave
48 In vain Love's airy pinions wave;
[Page 9]49 The vengeful pow'r, profuse of woes,
50 In vain attempts their last repose;
51 For all the bliss thy cup contains
52 Rewards at length thy former pains.
53 Ah! say, Oblivion! deign to say,
54 Can earthly song, can mortal lay,
55 From forth thy sacred well-fount pure
56 For me one blissful draught procure.
57 For Mem'ry oft upholds to view
58 The varied scenes through life we knew,
59 Recalls the blissful hours of yore,
60 And pictures joys that are no more.
61 Do thou those pangs in pity spare,
62 And grant, O grant all Nature's pray'r.
63 But, first and chief, Miranda's woes
64 Deserve from thee a long repose.
65 In pity bid remembrance cease,
66 And her's be dark Oblivion's peace.
[Page 10]67 Thy real worth they only know,
68 Whose hearts are rich in treasur'd woe.
69 To such more dear thy torpid sway,
70 Than all that meets the blaze of day:
71 Yet still in ev'ry age or clime,
72 In numbers rude, or flowing rhime,
73 From lofty domes that reach the skies,
74 From where the lowly cottage lies:
75 (Though lost, alas! in empty air,)
76 This is the universal pray'r:
77 "Howe'er my future fate be cast,
78 Do thou, Oblivion, veil the past."
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Source edition
Berkeley, George Monck, 1763-1793. Poems: by the late George-Monck Berkeley, Esq. ... With a preface by the editor, consisting of some anecdotes of Mr. Monck Berkeley and several of his friends. London: printed by J. Nichols; and sold by Messrs. Leigh and Sotheby; Mr. Edwards; Mr. Cooke, Oxford; Mr. Todd, York; Messrs. Simmons and Co.; Messrs. Flackton, Marrable, and Claris; and Mr. Bristow, Canterbury, 1797, pp. 6-10. viii,DCXXXII,212p.,plate: port.; 4⁰. (ESTC T142950; OTA K111746.000) (Page images digitized by the University of California Libraries.)
Editorial principles
The text has been typographically modernized, but without any silent modernization of spelling, capitalization, or punctuation. The source of the text is given and all editorial interventions have been recorded in textual notes. Based on the electronic text originally produced by the TCP project, this ECPA text has been edited to conform to the recommendations found in Level 5 of the Best Practices for TEI in Libraries version 4.0.0.
Other works by George Monck Berkeley
- ADDRESS TO THE SHADE OF SHAKSPEARE. ON MRS. B—'S VISITING HIS TOMB IN COMPANY WITH THE WRITER OF THESE LINES, AUGUST 13, 1787. ()
- ADDRESS TO THE WINDS. SUPPOSED TO BE WRITTEN BY A LADY DURING THE ABSENCE OF HER LOVER. ()
- THE AUTHOR. TO ARTHUR MURPHY, ESQ. ()
- THE BANKS OF ALMOND. (VIDE PENNANT'S TOUR.) ()
- THE BIRTH OF BLISS. TO THE HONOURABLE GEORGE LESLIE, SON OF THE EARL OF LEVEN, &c. ()
- ELEGIAC BALLAD. TO HENRY M'KENZIE ESQ. ()
- AN ELEGY ON THE DEATH of MISS M—s. ()
- ELEGY TO THE MEMORY OF LADY JANE GRAY AND MARY QUEEN OF SCOTS. TO JUDITH LADY LAURIE. ()
- ELEGY. TO ALMERIA. ()
- EPITAPH ON AN UNFORTUNATE LADY. TO THE REV. GEORGE GLEIG, A.M. ()
- EPITAPH ON G. R. BERKELEY, ESQ. TO MRS. GEORGE BERKELEY, HIS MOTHER. ()
- EVENING, A PASTORAL. TO HENRY GRIMSTON, ESQ. OF YORKSHIRE. ()
- THE FAIRIES. TO MISS GRIMSTON, YOUNGEST SISTER OF THOMAS GRIMSTON, ESQ. OF GRIMSTON, YORKSHIRE. ()
- FAREWELL STANZAS ON LEAVING COOKHAM, IN THE SPRING OF THE YEAR, 1781, WHEN MR. B. WAS NOT QUITE EIGHTEEN YEARS OLD, TWO YEARS AFTER HE LEFT ETON-SCHOOL. ()
- THE IMMORTALITY OF VIRTUE. TO MRS. FRINSHAM. ()
- IMPROMPTU, ON HEARING, AS HE WAS RISING IN THE MORNING, OF THE DEATH OF THE REV. JOHN DUNCOMBE, M.A. INSCRIBED TO MRS. DUNCOMBE, OF CANTERBURY. ()
- INSCRIPTION FOR A GOTHIC NICHE LINED WITH IVY, IN THE GARDEN OF DR. BERKELEY'S PREBENDAL HOUSE IN THE OAKS AT CANTERBURY, WHERE MR. BERKELEY USED TO SIT AND READ GREEK. THE LADIES OF THE FAMILY NAMED IT “THE GREEK SEAT.” ()
- INSCRIPTION FOR THE FRONT OF SINGLETON ABBEY. TO MISS MALTHUS'S, THE BELOVED, THE RESPECTED FRIENDS OF HIS EARLY YOUTH. ()
- INVOCATION TO CUPID. TO FREDERICK REYNOLDS, ESQ. ()
- LUCY, OR THE BANKS OF AVON. WRITTEN AT THE AGE OF SEVENTEEN, AND NEVER MEANT BY MR. B. FOR THE PUBLIC EYE. ()
- THE MAIDS OF MORVEN, AN ELEGIAC ODE. TO THE RIGHT HONOURABLE MARY VISCOUNTESS RUTHVEN, DAUGHTER OF THE EXCELLENT EARL AND COUNTESS OF LEVEN AND MELVIL. ()
- ODE TO CONSCIENCE. TO MRS. YEARSLEY. ()
- ODE TO GENIUS. TO THE REV. WILLIAM MASON, A.M. PRECENTOR OF THE CATHEDRAL CHURCH OF YORK. ()
- ODE TO LOVE. TO THE RIGHT HONOURABLE LADY DUDLEY AND WARD. ()
- ODE TO TRAGEDY. TO MRS. SIDDONS. ()
- THE POWER OF LOVE. TO ROBERT BERKELEY, ESQ. JUNIOR, OF SPETCHLEY PARK, WORCESTERSHIRE. ()
- PROLOGUE TO BONDS WITHOUT JUDGEMENT, OR THE LOVES OF BENGAL. ()
- PROLOGUE, SPOKEN BY THE AUTHOR, ON OPENING THE NEW THEATRE AT BLENHEIM, OCTOBER 1787. TO THEIR GRACES THE DUKE AND DUCHESS OF MARLBOROUGH. ()
- THE RAPE OF THE WIG. WRITTEN IN THE YEAR 1782. ()
- RUMORA; OR, THE MAID OF RAASA. ()
- SONG. SUNG BY A CHORUS OF PEASANTS. ()
- SONG. TO ALMERIA. ()
- STANZAS ON PAINTING. TO THE REVEREND WILLIAM PETERS, LL.B. ()
- STANZAS WRITTEN AT THE TOMB OF SHAKSPEARE. ()
- TO A NIGHTINGALE IN CLIFDEN WOOD. TO MRS. D. MONCK, OF COOKHAM. ()
- TO MIRANDA, ON HER DETERMINING TO ASSUME THE VEIL. ()
- TO MIRANDA, ON THE DEATH OF HER BROTHER-IN-LAW THE EARL OF L—. ()
- TO MIRANDA. ()
- TO MISS — OF DUBLIN, ON THE DEATH OF HER MOTHER. ()
- VERSES ON MRS. BILLINGTON'S APPEARANCE AT OXFORD. TO THOMAS BARRETT LENNARD, ESQ. ()
- VERSES ON SEEING THE TRAGEDY OF THE REGENT. TO BERTIE GREATHEAD, ESQ. ()
- VERSES ON THE DUTCHESS OF RUTLAND'S PREFERRING MR. PETERS. TO GEORGE ATKINSON, M.D. ()
- THE VIRGIN'S MIDNIGHT HYMN, SUPPOSED TO BE SUNG BY A CHORUS OF NUNS AT BRUSSELS, IN THE YEAR 1786, WHEN THE AUTHOR WAS THERE. INSCRIBED TO THE HON. MISS MOLESWORTHS, DAUGHTERS OF LORD MOLESWORTH, AND TO MISS HORNES, DAUGHTERS OF THE BISHOP OF NORWICH. ()